The Spirit in whose honour shrines are weak.

Hence the Jains, the chief sect of the Buddhists,[[17]] so called from adoring the spirit (Jina), were untinctured with idolatry until the apotheosis of Krishna,[[18]] whose mysteries superseded the simpler worship of Budha. Neminath (the deified Nemi) was the pontiff of Budha, and not only the contemporary of Krishna, but a Yadu, and his near relation; and both had epithets denoting their complexion; for Arishta, the surname of Nemi, has the same import as Syam and Krishna, ‘the black,’ though the latter is of a less Ethiopic hue than Nemi.[[19]] It was anterior to this schism amongst the sons of Budha that the creative power was degraded under sensual forms, when the pillar rose to Bal or Surya in Syria and on the Ganges: and the serpent, “subtlest beast of all the field,” worshipped as the emblem of wisdom (Budha), was conjoined with the symbol of the creative power, as at the shrine of Eklinga, where the brazen serpent is wreathed round the lingam.[[20]] Budha’s descendants, the Indus, preserved the Ophite sign of their race, when Krishna’s followers adopted the eagle as his symbol. These, with the adorers of Surya, form the three idolatrous classes of India, not confined to its modern [536] restricted definition, but that of antiquity, when Industhan or Indu-Scythia extended from the Ganges to the Caspian. In support of the position that the existing polytheism was unknown on the rise of Vaishnavism, we may state, that in none of the ancient genealogies do the names of such deities appear as proper names in society, a practice now common; and it is even recorded that the rites of magic, the worship of the host of heaven, and of idols, were introduced from Kashmir, between the periods of Krishna and Vikrama. The powers of nature were personified, and each quality, mental and physical, had its emblem, which the Brahmans taught the ignorant to adopt as realities, till the pantheon become so crowded that life would be too short to acquire even the nomenclature of their ‘thirty-three millions of gods.’[[21]] No object was too high or too base, from the glorious Orb to the Rampi, or paring-knife of the shoemaker. In illustration of the increase of polytheism, I shall describe the seven forms under which Krishna is worshipped, whose statues are established in the various capitals of Rajasthan, and are occasionally brought together at the festival of Annakuta at Nathdwara.

The international wars of the Suryas and the Yadu races, as described in the Ramayana and Mahabharata, are lost between allegory and literal interpretation. The Suryas, or Saivas, were depressed; and the Indus, who counted ‘fifty-six’ grand tribes, under the appellations of Takshak, ‘serpent,’ Aswa, ‘horse,’ Sasa, ‘hare,’ etc., etc., had paramount sway. Krishna’s schism produced a new type, that of the eagle, and the wars of the schismatics were depicted under their respective emblems, the eagle and serpent, of which latter were the Kauravas and Takshaks,[[22]] the political adversaries of the Pandus, the relatives of Krishna. The [537] allegory of Krishna’s eagle pursuing the serpent Budha, and recovering the books of science and religion with which he fled, is an historical fact disguised: namely, that of Krishna incorporating the doctrines of Budha with his own after the expulsion of the sect from India. Dare we further attempt to lift the veil from this mystery, and trace from the seat of redemption of lost science its original source?[[23]] The Gulf of Cutch, the point where the serpent attempted to escape, has been from time immemorial to the present day the entrepôt for the commerce of Sofala, the Red Sea, Egypt, and Arabia. There Budha Trivikrama, or Mercury, has been and is yet invoked by the Indian mariners, especially the pirates of Dwarka. Did Budha or Mercury come from, or escape to the Nile? Is he the Hermes of Egypt to whom the ‘four books of science,’ like the four Vedas[[24]] of the Hindus, were sacred? The statues of Nemi,[[25]] the representative of Budha, exactly resemble in feature the bust of young Memnon.[[26]]

I have already observed that Krishna, before his own deification, worshipped his great ancestor Budha; and his temple at Dwarka rose over the ancient shrine of the latter, which yet stands. In an inscription from the cave of Gaya their characters are conjoined: “Hari who is Budha.” According to Western mythology, Apollo and Mercury exchanged symbols, the caduceus for the lyre; so likewise in India their characters intermingle: and even the Saiva propitiates Hari as the mediator and disposer of the ‘divine spark’ (jyoti) to its reunion with the ‘parent-flame’:—thus, like Mercury, he may be said to be the conveyer of the souls of the dead. Accordingly in funeral lamentation his name only is invoked, and Hari-bol! Hari-bol! is emphatically pronounced by those conveying the corpse to its final abode. The vahan (qu. the Saxon van?) or celestial car of Krishna, in which the souls (ansa) of the just are conveyed to Suryamandal, the ‘mansion of the sun,’ is painted like himself, blue (indicative of space, or as Ouranos), with the eagle’s head; and here he partakes of the Mercury of the [538] Greeks, and of Oulios, the preserver or saviour, one of the titles of Apollo at Delos.[[27]]

The Forms of Krishna.

The Rāsmandal Dance.

In song and dance about the sacred hill;

Mystical dance, which yonder starry sphere

Of planets and of fixed in all her wheels

Resembles nearest; mazes intricate,