Birthday of the Rana.
New Year’s Day. The Festival of Flowers.
The Festival of Flowers.
Ganggor Festival.
Gauri is one of the names of Isa or Parvati, wife of the greatest of the gods, Mahadeva or Iswara, who is conjoined with her in these rites, which almost exclusively appertain to the women. The meaning of Gauri is ‘yellow,’ emblematic of the ripened harvest, when the votaries of the goddess adore her effigies, which are those of a matron painted the colour of ripe corn; and though her image is represented with only two hands, in one of which she holds the lotos, which the Egyptians regarded as emblematic of reproduction, yet not unfrequently they equip her with the warlike conch, the discus, and the club, to denote that the goddess, whose gifts sustain life, is likewise accessary to the loss of it: uniting, as Gauri and Kali, the characters of life and death, like the Isis and Cybele of the Egyptians. But here she is only seen as Annapurna, the benefactress of mankind. The rites commence when the sun enters Aries (the opening of the Hindu year), by a deputation to a spot beyond the city, “to bring earth for the image of Gauri.”[[40]] When this is formed, a smaller one of Iswara is made, and they are placed together; a small trench is then excavated, in which barley is sown; the ground is irrigated and artificial heat supplied till the grain germinates, when the females join hands and dance round it, invoking the blessings of Gauri on their husbands.[[41]] The young corn is then taken up, distributed, and presented by the females to the men, who wear it in their turbans. Every wealthy family has its image, or at least every purwa or subdivision of the city. These and other [571] rites known only to the initiated having been performed for several days within doors, they decorate the images, and prepare to carry them in procession to the lake. During these days of preparation, nothing is talked of but Gauri’s departure from the palace; whether she will be as sumptuously apparelled as in the year gone by; whether an additional boat will be launched on the occasion; though not a few forget the goddess altogether in the recollection of the gazelle eyes (mrig-nayani) and serpentine locks (nagini-zulf)[[42]] of the beauteous handmaids who are selected to attend her. At length the hour arrives, the martial nakkaras give the signal “to the cannonier without,” and speculation is at rest when the guns on the summit of the castle of Eklinggarh announce that Gauri has commenced her excursion to the lake.
The Bathing of the Goddess.
Considerable resemblance is to be discerned between this festival of Gauri and that in honour of the Egyptian Diana[[44]] at Bubastis, and Isis at Busiris, within the [573] Delta of the Nile, of which Herodotus says: “They who celebrate those of Diana embark in vessels; the women strike their tabors, the men their flutes; the rest of both sexes clap their hands, and join in chorus. Whatever city they approach, the vessels are brought on shore; the women use ungracious language, dance, and indelicately throw about their garments.”[[45]] Wherever the rites of Isis prevailed, we find the boat introduced as an essential emblem in her worship, whether in the heart of Rajasthan, on the banks of the Nile, or in the woods of Germany. Bryant[[46]] furnishes an interesting account from Diodorus and Curtius, illustrated by drawings from Pocock, from the temple of Luxor, near Carnac, in the Thebaid, of ‘the ship of Isis,’ carrying an ark; and from a male figure therein, this learned person thinks it bears a mysterious allusion to the deluge. I am inclined to deem the personage in the ark Osiris, husband of Isis, the type of the sun arrived in the sign of Aries (of which the ram’s heads ornamenting both the prow and stem of the vessel are typical), the harbinger of the annual fertilizing inundation of the Nile: evincing identity of origin as an equinoctial festival with that of Gauri (Isis) of the Indu-Scythic races of Rajasthan.
The German Suevi adored Isis, and also introduced a ship in her worship, for which Tacitus[[47]] is at a loss to account, and with his usual candour says he has no materials whence to investigate the origin of a worship denoting the foreign origin of the tribe. This Isis of the Suevi was evidently a form of Ertha, the chief divinity of all the Saxon races, who, with her consort Teutates or Hesus[[48]] (Mercury), were the chief deities of both the Celtic and early Gothic races: the [574] Budha and Ila of the Rajputs; in short, the earth,[[49]] the prolific mother, the Isis of Egypt, the Ceres of Greece, the Annapurna (giver of food) of the Rajputs. On some ancient temples dedicated to this Hindu Ceres we have sculptured on the frieze and pedestal of the columns the emblem of abundance, termed the kamakumbha, or vessel of desire, a vase of elegant form, from which branches of the palm are gracefully pendent. Herodotus says that similar water-vessels, filled with wheat and barley, were carried in the festival of Isis; and all who have attended to Egyptian antiquities are aware that the god Canopus is depicted under the form of a water-jar, or Nilometer, whose covering bears the head of Osiris.
The Agastya Festival.
The Egyptians, according to Plutarch, considered the Nile as flowing from Osiris, in like manner as the Hindu poet describes the fair Ganga flowing from the head of Iswara, which Sir W. Jones thus classically paints in his hymn to Ganga: