In these expeditions, which resembled preparations for war, he invariably carried the queens. These Amazonian ladies were taught the use of the matchlock, and being placed upon the terraced roofs of the hunting-seats, sent their shots at the forest-lord, when driven past their stand by the hunters. On one of these occasions the Jhala Faujdar was at the foot of the scaffolding; the tiger, infuriated with the uproar, approached him open-mouthed; but the prince had not yet given the word, and none dared to fire without his signal. The animal eyed his victim, and was on the point of springing, when the Jhala advanced his shield, sprung upon him, and with one blow of his sword laid him dead at his feet. The act was applauded by the prince and his court, and contributed not a little to the character he had already attained.

Durjansal left no issue. He was married to a daughter of the Rana of Mewar. Being often disappointed, and at length despairing of an heir, about three years before his death, he told the Rani it was time to think of adopting an heir to fill the gaddi, “for it was evident that the Almighty disapproved of the usurpation which changed the order of succession.” It will be remembered that Bishan Singh, son of Ram Singh [514], was set aside for refusing, in compliance with maternal fears, to accompany his father in the wars of the Deccan. When dispossessed of his birthright, he was established in the fief of Antha on the Chambal.[[14]] At the death of Durjansal, Ajit Singh, grandson of the disinherited prince, was lord of Antha, but he was in extreme old age. He had three sons, and the eldest, whose name of Chhattarsal revived ancient associations, was formally “placed in the lap of the Rani Mewari; the asis (blessing) was given; he was taught the names of his ancestors (being no longer regarded as the son of Ajit of Antha), Chhattar Singh, son of Durjansal, Bhimsinghgot, Ram Singh, Kishor Singh, etc., etc.,” and so on, to the fountain-head, Dewa Banga, and thence to Manikrae of Ajmer. Though the adoption was proclaimed, and all looked to Chhattarsal as the future lord of the Haras of Kotah, yet on the death of Durjan, the Jhala Faujdar took upon him to make an alteration in this important act, and he had power enough to effect it.

Mahārāo Ajīt Singh, A.D. 1756-59. Mahārāo Chhattarsāl, A.D. 1759-66.

At this epoch, Madho Singh, who had acceded to the throne of Amber on the suicide of his predecessor, Isari, instead of taking warning by example, prepared to put forth all his strength for the revival of those tributary claims upon the Haras, which had cost his brother his life. The contest was between Rajput and Rajput; the question at issue was supremacy on the one hand, and subserviency on the other, the sole plea for which was that the Kotah contingent had acted under the princes of Amber, when lieutenants of the empire. But the Haras held in utter scorn the attempt to compel this service in their individual capacity, in which they only recognized them as equals.

Jaipur attacks Kotah.

Malhar Rao Holkar was encamped in their vicinity, with the remnant of his horde, but so crestfallen since the fatal day of Panipat,[[17]] that he feared to side with either. At this moment young Zalim, mounting his steed, galloped to the Mahratta, and implored him, if he would not fight, to move round and plunder the Jaipur camp: a hint which needed no repetition.

The little impression yet made on the Kotah band only required the report that “the camp was assaulted,” to convert the lukewarm courage of their antagonists into panic and flight: “the host of Jaipur fled, while the sword of the Hara performed tirath (pilgrimage) in rivers of blood.xxxx

The chiefs of Macheri, of Isarda, Watka, Barol, Achrol, with all the ots and awats of Amber, turned their backs on five thousand Haras of Kotah; for the Bundi troops, though assembled, did not join, and lost the golden opportunity to free its Kothris, or fiefs, from the tribute. Many prisoners were taken, and the five-coloured banner of Amber fell into the hands of the Haras, whose bard was not slow to turn the incident to account in the stanza, still repeated whenever he celebrates the victory of Bhatwara, and in which the star (tara) of Zalim prevailed:

Jang Bhatwārā jīt

Tārā Jālim Jhālā.