Some thirty years ago there were but two Bessemer converters in the United States, and the manufacture of steel did not reach then five hundred tons per annum. In 1890 the product was more than five million tons.

In 1872 the price of steel was one hundred and eighty-six dollars per gross ton. It can be purchased now at varying prices less than thirty dollars per ton. The consumption of seventy millions of people is so great that it is difficult to imagine how so enormous a mass of almost imperishable material can be absorbed, and the latest figures show a consumption greatly in excess of those mentioned as the sum of manufactures.

We turn again for the comparison without which all figures are valueless to the good year 1643, when the "General court" passed a resolve commending the great progress made in the manufacture of iron which they had licensed two years before, and granted the company still further privileges and immunities upon condition that it should furnish the people "with barre iron of all sorts for their use at not exceedynge twenty pounds per ton." We recall the first little piece of hollow ware made in America. We remember how old the old world is said to be and how long the tribes of men have plodded upon it, and then the picture appears of the progress that has grown almost under our eyes. The real Age of Steel began in 1865. It is not yet thirty years old. By comparison we are impressed with the fact that the real history of the metal is compressed into less than half an ordinary lifetime.

[THE STORY OF ELECTRICITY]

There is a sense in which electricity may be said to be the youngest of the sciences. Its modern development has been startling. Its phenomena appear on every hand. It is almost literally true that the lighting has become the servant of man.

But it is also the oldest among modern sciences. Its manifestations have been studied for centuries. So old is its story that it has some of the interest of a mediaeval romance; a romance that is true. Steam is gross, material, understandable, noisy. Its action is entirely comprehensible. The explosives, gunpowder, begriming the nations in all the wars since 1350, nitroglycerine, oxygen and hydrogen in all the forms of their combination, seem to be gross and material, the natural, though ferocious, servants of mankind. But electricity floats ethereal, apart, a subtle essence, shining in the changing splendors of the aurora yet existent in the very paper upon which one writes; mysteriously everywhere; silent, unseen, odorless, untouchable, a power capable of exemplifying the highest majesty of universal nature, or of lighting the faint glow of the fragile insect that flies in the twilight of a summer night. Obedient as it has now been made by the ingenuity of modern man, docile as it may seem, obeying known laws that were discovered, not made, it yet remains shadowy, mysterious, impalpable, intangible, dangerous. It is its own avenger of the daring ingenuity that has controlled it. Touch it, and you die.

Electricity was as existent when the splendid scenes described in Genesis were enacted before the poet's eye as it is now, and was entirely the same. Its very name is old. Before there were men there were trees. Some of these exuded gum, as trees do now, and this gum found a final resting place in the sea, either by being carried thither by the currents of the streams beside which those trees grew, or by the land on which they stood being submerged in some of the ancient changes and convulsions to which the world has been frequently subject. In the lapse of ages this gum, being indestructible in water, became a fossil beneath the waves, and being in later times cast up by storms on the shores of the Baltic and other seas, was found and gathered by men, and being beautiful, finally came to be cut into various forms and used as jewelry. One has but to examine his pipe-stem, or a string of yellow beads, to know it even now. It is amber. The ancient Greeks knew and used it as we do, and without any reference to what we now call "electricity" their name for it was ELEKTRON. The earliest mention of it is by Homer, a poet whose personality is so hidden in the mists of far antiquity that his actual existence as a single person has been doubted, and he mentions it in connection with a necklace made of it.

But very early in human history, at least six hundred years before Christ, this elektron had been found to possess a peculiar property that was imagined to belong to it alone. It mysteriously attracted light bodies to it after it had been rubbed. Thales, the Franklin of his remote time, was the man who is said to have discovered this peculiar and mysterious quality of the yellow gum, and if it be true, to him must be conceded the unwitting discovery of electricity. It was the first step in a science that usurps all the prerogatives of the ancient gods. He recorded his discovery, and was impressed with awe by it, and accounted for the phenomenon he had observed by ascribing to the dull fossil a living soul. That is the unconscious impression still, after twenty-five hundred years have passed since Thales died; that hidden in the heart of electrical phenomena there is a weird sentience; what a Greek would consider something divine and immortal apart from matter. But neither Thales, nor Theophrastus, nor Pliny the elder, nor any ancient, could conceive of a fact but dimly guessed until the day of Franklin; that this secret of the silent amber was also that of the thunder-cloud, that the essence that drew to it a floating filament is also that which rends an oak, that had splintered their temples and statues, and had not spared even the image of Jupiter Tonans himself. The spectral lights which hung upon the masts of the ancient galleys of the Mediterranean were named Castor and Pollux, not electricity. Absolutely no discovery was made, though the religion of ancient Etruria was chiefly the worship of a spirit by them seen, but unknown; to us electrical science; a science chained, yet really unknown and still feared though chained. It is the story of this servitude only that is capable of being told, and the first weak bands were a hundred and forty-six years in forging; from the Englishman Gilbert's "De Magnete," to Franklin's Kite.