Fig. 231.—Travelling Carriage; English; Fourteenth Century. (P.)
Carriages of the fourteenth century were used for the conveyance of women and children, but were not very common. They were long-shaped covered vehicles on four wheels, with or without panelled sides, and were painted and decorated (Figs. 230, 231). Carts for carrying and for agricultural purposes were used in the Anglo-Saxon and Norman periods in England, and in France at the same dates: these were two-wheeled vehicles, each wheel being usually of one solid piece of wood.
Fig. 232.—Table (Kursy); Saracenic. (L. P.)
The Saracens were very ingenious in the using of wood, as in carpentry, carving, and turning in the lathe. Their ingenuity and skill in carpentry and turning is seen in the Meshrebīya work and lattice, and in the carvings of the pulpit and door panels. This work has been noticed under the heading of Saracenic Architecture and Ornament in the former volume.
Regarding the furniture of the domestic dwellings of the Saracens, whether of Egypt, Arabia, or elsewhere, there was very little of a movable nature except the small tables and reading-desks. The tables of Saracenic design are usually small and of a greater height than width (Fig. 232). These tables or kursys are sometimes panelled with turned, latticed, or carved decoration, having stalactites under the top, as in the illustration, or in the kursys of a lighter construction are generally inlaid with ivory, ebony, and mother-of-pearl. Some of the richest variety are hexagonal in shape, are inlaid with brass and silver filigree ornamentation, and are of splendid workmanship. The next important article in movable furniture is the Saracen reading-desk, which is made in the form of a camp-stool, with cross legs. It is usually inlaid and decorated like the tables.
The divans are platforms raised slightly from the ground, and covered with cushions on the seats and backs. The carved cupboards or shelves on brackets placed behind and above the divans, on which vases and trays are kept for ornament or when not in use, complete the usual furniture of the Saracenic living-room. Seats or chairs of lattice-work (dikkas), on which the doorkeeper sits, are usually found in entrance-halls, and if we add the elaborate metal and coloured-glass lamps, the vases, the large metal salvers or trays, and the rugs and carpets, the furniture of a Saracenic house is complete.
Italian and other Furniture of the Renaissance.
In the early part of the fifteenth century and during the whole of the century the furniture of Europe generally was designed more or less on Gothic lines, but gradually the new forms that were now rapidly developing in the architecture of the Renaissance, but in a slower measure, began to assert themselves in furniture designs. Consequently, we find in many articles, such as armoires or presses, and cabinets, a mixture of style in the design—as, for instance, the upper panels would be in the Mediæval, and the lower ones in the Renaissance style, or the general construction would be Gothic, and the details and decoration would be Italian.