CHAPTER XXXIII.
A GLEAM OF DAWN.
ONCE more a summer sunset at the old farm-house among the Berkshire Hills, where, for a hundred years, successive generations of Windsors had been born and bred; once more we see the level rays glance from the diamond-paned, dairy casement, left ajar to admit the fresh evening air; once more the airy banners of eglantine and maiden's-bower float against the clear blue sky; once more we tread in fancy the green velvet of the turf, creeping over the very edge of the irregular door-stone, worn smooth by feet that long since have travelled beyond earthly limits, and now tread celestial fields and sunny slopes of Paradise. Far across the meadow lies the shadow of the old house,—a strange, fantastic suggestion of a dwellings vague and enticing as the gray turrets of the Castle of St. John, which, as the legend says, are to be shaped at twilight from the crags and ravines of the lonely mountains, but vanish in the daylight. And beside it, not vague, but clear and sharp, lay the shadow of the old well-sweep, like a giant finger, pointing, always pointing, now to the east, whence cometh light and hope, and the promise of another day; and anon due west, as showing to the sad eyes that watched it the road to joy and comfort.
Within the house, much was changed. The floors were covered with matting, the walls with delicate paper-hangings; the old furniture replaced with Indian couches and arm-chairs, whose shape and material suggested luxurious ease and coolness. In the chamber that had been Dora's, was wrought, perhaps, the greatest change of all; for to the rugged simplicity, and, so to speak, severity, of the young girl's surroundings, had succeeded the luxury, the exquisite refinement, essential to the comfort of a woman born and bred in the innermost sanctuary of modern civilization. The martial relics of Dora's camp-life had disappeared from the walls, no longer simply whitewashed, but covered with a pearl-gray paper, over which trailed in graceful curves a mimic ivy-vine, colored like nature. Upon this hung a few choice pictures,—proof-engravings of Correggio's Cherubs; a Christ blessing Little Children; a Madonna, with sad, soft eyes resting upon the Holy Child, whose fixed gaze seemed to read his own sublime destiny; and a Babes in the Wood.
Over the fireplace, the rude sketch of the deformed negro was replaced by an exquisite painting, representing a little girl,—her sweet face framed in a shower of golden ringlets, her blue eyes fixed with a sort of wistful tenderness upon the beholder; this expression repeating itself in the lines of the curving mouth. The dress was carefully copied from that worn by 'Toinette Legrange upon the day she was lost; and the picture had been painted, soon after her disappearance, by an artist friend of the family, who had so often admired the beautiful child, that he found it easy to reproduce her face upon canvas; although his own knowledge of the circumstances, and perhaps the haunting presence of the sad eyes of the mother, as she asked, "Oh! can you give me even a picture of her?" had tinged the whole composition with a pathos not intended by the artist, but indescribably touching to the spectator.
Between the windows, in place of Dora's simple pine table, with its white drapery, its few plain books, and little work-box, stood a toilet-table, covered with the luxurious necessities of an elegant woman's wardrobe. The dressing-case, the jewel-box, the perfume-bottles; the velvet-lined and delicately-scented mouchoir and glove boxes; the varied trifles, so idle in detail, so essential to the whole,—all were there, and all evidently in constant use.
Nor let us too harshly judge the mode of life, differ though it may from our own, which regards these superfluities as essential, and can hardly less dispense with them than with its daily bread. The violet, the anemone, the May-flower, a hundred sweet and hardy blossoms, thrive amid the chills and storms of early spring in the most exposed situations. But are not the exquisite tea-rose, the fragile garden-lily, or the cereus, that dies after one sweet night of perfumed beauty, as true to their nature and to God's law? Did not the same hand form the sparrow, who scatters the late snow from his wings, and gayly pecks the crumbs from our doorstep, and the humming-bird, who waits for gorgeous summer noons to come and sip the honey from our jessamine?
So let us, if we will, love Dora in the Spartan simplicity of her soldierly adornments, and none the less love and cherish the woman who now lies upon the very spot, where, but a year ago, lay little Sunshine, wavering between this life and a better. For some reason unknown to herself, Mrs. Legrange had, from the first, felt a strong affection for this chamber, haunted, though she knew it not, by the presence of the beloved child; and she had taken much pleasure in its adornment; though, now that all was done, she rarely noticed the beautiful articles collected about her, liking best of all to lie in dreamy revery, recalling, day after day, with the minute fondness of a woman's memory, the looks, the gestures, the careless words, the pretty, graceful ways, the artless fascinations, of her whom now she rarely named, holding her memory as something too sacred for common speech, too far withdrawn into her own heart to be lightly brought to the surface.
Thus lying in the twilight of this evening, dreamily watching the long white curtains as they filled with the night-air and floated out into the room like the shadowy sails of a bark anchored in some Dreamland bay, and never guessing whose eyes had watched their waving but one short year before, when 'Toinette was first laid in Dora's little bed, Mrs. Legrange heard her husband coming up the stairs, and rose to receive him, with a strange fluttering at her heart,—a sort of nervous hope and terror all in one, as if she had known him the bearer of great news, but could not yet determine its tenor.
Mr. Legrange entered, holding a letter in his hand, and glanced tenderly, but with some surprise, at his wife, who stood with one hand pressing the white folds of her muslin wrapper convulsively to her bosom, the other outstretched toward him, a sudden hectic burning in her cheeks, and her eyes bright with feverish light.