"Truly so; but you should not say it, bamb¡na. The charm of a maiden is her modesty," said the Italian gravely.
"But, if it is true, why mustn't I say so?" asked Cherry positively.
"Many things that we know are never to be said, Ciriega. But come, now: you are to dance first for these people, and they will make no charge for our beds and the miserable provender they have given us."
As he spoke, Giovanni led the way to the lower hall of the hotel, where a number of men were lounging, smoking, or talking; while through the open doors of the parlor and office were to be seen some ladies and gentlemen, idling away the hour after breakfast, before proceeding to their business, their journey, or their amusement.
Placing himself in the centre of the hall, Giovanni, with a bow to the company, played a little prelude, and then struck into the lively strains of the cachuca.
Cherry, who had stood looking at him, her head slightly bent, her lips apart, eyes and ears alert to catch the signal to begin, pointed her little foot at the precise moment, and, holding her dress in the tips of her slender fingers, slid into the movement with a grace and accuracy never to be attained except by vigorous practice, or a temperament as sensitive to time and tune, limbs as supple, and impulses as graceful, as were those of this gifted and unfortunate child.
"See there!-the poor little thing!" exclaimed one of the ladies, who came to the door of the drawing-room to see the performance.
"How can you say poor little thing?" asked another. "Don't you see how she enjoys it herself? That smile is not the artificial grimace of a ballet-dancer; and no eyes ever sparkled so joyously to order."
"Perhaps she does enjoy it; but all the more 'Poor little thing!' say I," rejoined the first speaker, adding thoughtfully, "What sort of training for a woman is that?"
"Oh, well! but it is very pretty to see her; and she would probably be running in the streets, or doing worse, if she did not dance; and so little as she is! It is equal to the theatre."