"There, Mr. Constantine!" cried she; "look at Adelbert! that is exactly the figure you cut in your outlandish gear two months ago."

Thaddeus bowed with a forced smile, and glancing at the stage, replied—

"Then, for the first time in my life, I regret having followed a lady's advice; I think I must have lost by the change."

"Yes," rejoined she, "you have lost much fur and much embroidery, but you now look much more like a Christian.'"

The substance of these speeches was not lost on Mary, who continued with redoubling interest to mark the changes his countenance underwent along with the scene. As she sat forward, by a slight turn of the head she could discern the smallest fluctuation in his features, and they were not a few. Placing himself at the back of Lady Sara's chair, he leaned over, with his soul set in his eye, watching every motion of Mr. Charles Kemble.

Mary knew, by some accidental words from Lady Tinemouth, that Constantine was a Polander, and the surmise she had entertained of his being unfortunate received full corroboration at the scene in which Adelbert is grossly insulted by the rich merchant. During the whole of it, she scarcely dared trust her eyes towards Constantine's flushed and agitated face.

The interview between Adelbert and Leopold commenced. When the former was describing his country's miseries with his own, Thaddeus unable to bear it longer, unobserved by any but Mary, drew back into the box. In a moment or two afterwards Mr. Charles Kemble made the following reply to an observation of Leopold's, that "poverty is no dishonor."

"Certainly none to me! To Poland, to my struggling country, I sacrificed my wealth, as I would have sacrificed my life if she had required it. My country is no more; and we are wanderers on a burdened earth, finding no refuge but in the hearts of the humane and virtuous."

The passion and force of these words could not fail of reaching the ears of Thaddeus. Mary's attention followed them to their object, by the heaving of whose breast she plainly discovered the anguish of their effect. Her heart beat with increased violence. How willingly would she have approached him, and said something of sympathy, of consolation! but she durst not; and she turned away her tearful eye, and looked again towards the stage.

Lady Sara now stood up, and hanging over Mary's chair, listened with congenial emotions to the scene between Adelbert and the innocent Rose. Lady Sara felt it all in her own bosom; and looking round to catch what was passing in the count's mind, she beheld him leaning against the box, with his head inclined to the curtain of the door. "Mr. Constantine!" almost unconsciously escaped her lips. He started, and discovered by the humidity on his eyelashes why he had withdrawn. Her ladyship's tears were gliding down her cheeks. Miss Egerton, greatly amazed at the oddness of this closet scene, turned to Miss Beaufort, who a moment before having caught a glimpse of the distressed countenance of the count, could only bow her head to Sophia's sportive observation.