When the work was finished, some of the persons near me urged its being published. But I argued, in opposition to the wish, its different construction to all other novels or romances which had gone before it, from Richardson's time-honored domestic novels to the penetrating feeling in similar scenes by the pen of Henry Mackenzie; and again, Charlotte Smith's more recent, elegant, but very sentimental love stories. But the most formidable of all were the wildly interesting romances of Anne Radcliffe, whose magical wonders and mysteries were then the ruling style of the day. I urged, how could any one expect that the admiring readers of such works could consider my simply-told biographical legend of Poland anything better than a dull union between real history and a matter-of-fact imagination?
Arguments were found to answer all this; and being excited by the feelings which had dictated my little work, and encouraged by the corresponding characters with whom I daily associated, I ventured the essay. However, I had not read the sage romances of our older times without turning to some account the lessons they taught to adventurous personages of either sex; showing that even the boldest knight never made a new sally without consecrating his shield with some impress of acknowledged reverence. In like manner, when I entered the field with my modern romance of Thaddeus of Warsaw, I inscribed the first page with the name of the hero of Acre. That dedication will be found through all its successive editions, still in front of the title-page; and immediately following it is a second inscription, added, in after years, to the memory of the magnanimous patriot and exemplary man, Thaddeus Kosciusko, who had first filled me with ambition to write the tale, and who died in Switzerland, A. D. 1817, fuller of glory than of years. Yet, if life be measured by its vicissitudes and its virtues, we may justly say, "he was gathered in his ripeness."
After his visit to old friends in the United States,—where, in his youth, he had learned the art of war, and the science of a noble, unselfish independence, from the marvel of modern times, General Washington,—Kosciusko returned to Europe, and abode a while in France, but not in its capital. He lived deeply retired, gradually restoring his shattered frame to some degree of health by the peace of a resigned mind and the occupation of rural employments. Circumstances led him to Switzerland; and the country of William Tell, and of simple Christian fellowship, could not but soon be found peculiarly congenial to his spirit, long turned away from the pageants and the pomp of this world. In his span he had had all, either in his grasp or proffered to him. For when nothing remained of all his military glory and his patriotic sacrifices but a yet existing fame, and a conscious sense within him of duty performed, he was content to "eat his crust," with that inheritance alone; and he refused, though with an answering magnanimity of acknowledgment, a valuable property offered to him by the Emperor of Russia, as a free gift from a generous enemy, esteeming his proved, disinterested virtues. He also declined the yet more dazzling present of a crown from the then master of the continent, who would have set him on the throne of Poland—but, of a truth, under the vassalage of the Emperor of the French! Kosciusko was not to be consoled for Poland by riches bestowed on himself, nor betrayed into compromising her birthright of national independence by the casuistry that would have made his parental sceptre the instrument of a foreign domination.
Having such a theme as his name, and the heroes his co-patriots, the romance of "Thaddeus of Warsaw" was no sooner published than it overcame the novelty of its construction, and became universally popular. Nor was it very long before it fell into General Kosciusko's hands, though then in a distant land; and he kindly and promptly lost no time in letting the author know his approbation of the narrative, though qualified with several modest expressions respecting himself. From that period she enjoyed many treasured marks of his esteem; and she will add, though with a sad satisfaction, that amongst her several relics of the Great Departed who have honored her with regard, she possesses, most dearly prized, a medal of Kosciusko and a lock of his hair. About the same time she received a most incontestable proof of the accuracy of her story from the lips of General Gardiner, the last British minister to the court of Stanislaus Augustus. On his reading the book, he was so sure that the facts it represented could only have been learned on the spot, that he expressed his surprise to several persons that the author of the work, an English lady, could have been at Warsaw during all the troubles there and he not know it. On his repeating this observation to the late Duke of Roxburgh, his grace's sister-in-law, who happened to overhear what was said, and knew the writer, answered him by saying, "The author has never been in Poland." "Impossible!" replied the general; "no one could describe the scenes and occurrences there, in the manner it is done in that book, without having been an eyewitness." The lady, however, convinced the general of the fact being otherwise, by assuring him, from her own personal knowledge, that the author of "Thaddeus of Warsaw" was a mere school-girl in England at the time of the events of the story.
How, then, it has often been asked, did she obtain such accurate information with regard to those events? and how acquire her familiar acquaintance with the palaces and persons she represents in the work? The answer is short. By close questioning every person that came in her way that knew anything about the object of her interest; and there were many brave hearts and indignant lips ready to open with the sad yet noble tale. Thus every illustrious individual she wished to bring into her narrative gradually grew upon her knowledge, till she became as well acquainted with all her desired personages as if they were actually present with her; for she knew their minds and their actions; and these compose the man. The features of the country, also, were learned from persons who had trodden the spots she describes: and that they were indeed correct pictures of their homes and war-fields, the tears and bursting enthusiasm of many of Poland's long expatriated sons have more than once borne testimony to her.
As one instance, out of the number I might repeat, of the inextinguishable love of those noble wanderers from their native country, I shall subjoin the copy of a letter addressed to me by one of those gallant men, then holding a high military post in a foreign service, and who, I afterwards learned, was of the family of Kosciusko, whose portrait he sent to me: for the letter was accompanied with a curiously-wrought ring of pure gold, containing a likeness of that hero. The letter was in French, and I transcribe it literally in the words of the writer:—
"Madame!
"Un inconnu ose addresser la parole à l'auteur immortel de Thaddeus de Warsaw; attaché par tent de liens à l'héros que vous avez chanté, je m'enhardis à distraire pour un moment vos nobles veilles.
"Qu'il me soit permis de vous offrir, madame, l'hommage de mon admiration la plus exaltée, en vous présentant la bague qui contient le buste du Général Kosciusko:—elle a servi de signe de ralliment aux patriots Polonois, lorsque, en 1794, ils entreprirent de sécouer leur joug.
"Les anciens déposoient leurs offrandes sur l'autel de leurs divinités tutélaires;—je ne fais qu'imiter leur exemple. Vous êtes pour tous les Polonois cette divinité, qui la première ait élevée sa voix, du fond de l'impériale, Albion, en leur faveur.