PALAZZO CANACCI
Piazza S. Biagio. No. 3.
The Canacci came originally from S. Stefano ad Ugnano, and took their name from a certain Lapo surnamed Canaccio. That they were rich is proved by their fine old palace, which has just been restored. Ser Giovanni was notary to the Republic in 1422, but the name of Canacci would have remained comparatively unknown if the Duke Jacopo Salviati had not fallen in love with the beautiful wife of Giustino. I cannot do better than tell the sad tale in the words of an anonymous writer of the time, whose manuscript is in the Marucelliana library in Florence.
“There was in Florence a gentleman of the old and honourable family of the Canacci, named Giustino, well known to me and to others still alive. He was considered a man of but little sense, because having several grown-up children by a former wife, and being near seventy years of age, he took to himself a second wife, Caterina, inferior to himself in rank, but endowed with marvellous beauty. Now Giustino was the ugliest, most tiresome, and the dirtiest man in Florence, which encouraged many to solicit the good graces of Caterina, who apparently led a modest life until they say she listened to Lorenzo Serzelli and Vincenzio Carlini. There were also two youths, friends of Jacopo Salviati, Duke of Giuliano, the greatest personage for birth, enormous wealth and other admirable qualities, in the city of Florence (always excepting the princes of the ruling house), who a few years before had taken to wife Donna Veronica, daughter to Don Carlo Cybo, Prince of Massa and Carrara. This lady had not much beauty, but such pride and conceit that the Duke was driven to seek for comfort elsewhere.... It was rumoured that the Duchess entered S. Pier Maggiore one morning, and as though by chance placed herself by the side of Caterina. In a few words she bade her never again speak to her husband, and Caterina replied, perchance with more arrogance and spirit than became her condition, thus increasing the ire of the Duchess and ensuring her own ruin. The Duke’s love grew every day, and the Duchess determined to cut the thread. Rumour has it that she tried to poison Caterina, but failed, and determined to take vengeance in another way. She sent for the brothers Bartolomeo and Francesco Canacci, youths of about twenty-four or so, who, though they did not inhabit, yet frequented their father’s house. After representing to them that Caterina’s licentious life brought ignominy on themselves and their posterity, and that as persons of birth and consideration it behoved them to free themselves of her presence, she promised to give them every help if they would do this, and to protect them from any future peril.... The Duchess hired four assassins from Massa, who entered the city one by one to avoid suspicion, and were kept by her until the time was ripe for effecting her abominable project. On the night of 31st December, 1638, Bartolomeo Canacci, accompanied by the aforesaid bandits, who stood at the opposite side of the street in the shade, knocked at his step-mother’s door. Her maid looked out of the window and asked who was there, and on his answering friends, recognized his voice, and drew the cord of the latch. Bartolomeo and the assassins rushed upstairs with such fury that Serzelli and Carlini, who were sitting with Caterina, suspected some evil thing and, springing to their feet, fled by another staircase on to the roof, whence they got into a neighbouring house. Caterina was then murdered by these infamous executors of the barbarous cruelty of the Duchess, together with her maid, probably to prevent her giving evidence. After this the bodies of these two most unfortunate women were cut to pieces, and carried into a carriage. Parts of the bodies were thrown into a well, others into the Arno, where they were found the next day, but the head of Caterina was taken to the Duchess.... On Sundays and holidays she used to send to the Duke’s room a silver basin covered by a fair cloth, containing collars, cuffs and such like things. But on this first of January the present was of a different kind. Taking the head of poor Caterina, which still preserved the beauty which had been the cause of her death, Donna Veronica placed it in the basin, covered it with the usual cloth, and sent it by her waiting-woman, who knew naught of the business, into the Duke’s room. When he rose and lifted the cloth to take his clean linen, let his horror be imagined at seeing so pitiful a sight. Knowing full well that his wife had done this deed, he would have no more of her, and they say he never was seen to smile again.” The account then describes how Bartolomeo Canacci was beheaded, while the real assassin, the Duchess, went unpunished, and ends with the reflection, “Whoso foregathers with great people is the last at the table and the first at the gallows.”
The last of the Canacci family died in 1777, and the palace now belongs to the Commune of Florence.
PALAZZO CANIGIANI
Via de’ Bardi. Nos. 22, 24.
This palace consists of two separate houses; the one adjoining the church of Sta. Lucia was a hospice for pilgrims in 1283, and tradition says that S. Francis of Assisi and S. Dominick met here; history, however, affirms that the saints were never together in Florence. More interesting is the connection of both church and palace with Dante, who is said to have often dined with the brethren of the Ospizio de’ Pelegrini after hearing mass in Sta. Lucia on Sundays and holidays. The other palace, with a most picturesque staircase and a fine well-head, belonged to a branch of the Bardi family who assumed the name of Ilarione, or Larione. They became bankrupt, and it was sold to Giovanni Canigiani in 1465; and here the mother of Petrarch, Eletta Canigiani, is said to have been born. The hospice had degenerated into two small houses, which also belonged to the Larione, and were sold at the same time to another of the Canigiani. They were afterwards rebuilt and made into one house.
COURTYARD OF PALAZZO CANIGIANI.
The tradition is that the Canigiani left Fiesole when the town was destroyed, and settled in Florence, where they became one of the great Guelph families; their ancient houses, towers and loggia, were in the Via de’ Bardi, near the Ponte Vecchio. After the defeat of their party at Montaperti in 1260, they took refuge in Lucca, until the Guelphs regained their supremacy in Florence, when twelve of the family became Gonfaloniers of Justice, and fifty-five were Priors. Messer Piero Canigiani is mentioned in the Decameron as being Chancellor to the Empress of Constantinople, and on his return to Italy he filled many important posts. With the exception of Bernardo, who joined Filippo Strozzi and was hanged, the Canigiani were devoted adherents of the Medici. Cosimo I. created a cousin and namesake of Bernardo’s, one of the founders of the Academia della Crusca, a Senator, and Alessandro Canigiani was made Archbishop of Aix through the influence of Queen Catherine de’ Medici. The family became extinct in 1813, when the Giugni succeeded to the name and estates, and to the fine palaces.
On the wall opposite to the Canigiani palace is an inscription recording the landslip in Via de’ Bardi, in which Bernardo Buontalenti nearly lost his life. Twice before the hill had slipped, in 1284 and in 1490, overwhelming the houses built on the slope of the hill of S. Giorgio. In a manuscript in the Magliabecchiana library is an account of what happened on the 12th November, 1547, written probably by one of the Nasi family; perhaps by Lorenzo Nasi, for whom Raphael painted the Madonna del Cardellino, now in the Uffizi. The picture is said to have been dug out from under the ruins of his house.