Chapter V. Reaction Against The Worship Of Images And Other Superstitious Practices By The Iconoclast Emperors Of The East.
The worship of images, as well as other Pagan practices, introduced into the church during the fourth and fifth centuries, were prevailing in the east as much as in the west; and I have mentioned, p. [9], that the monks, particularly those of Egypt, had greatly contributed to the introduction of anthropomorphism into the Christian church. A great blow to image-worship was given in the east by the rise and rapid progress of Mahometanism, whose followers, considering it as idolatry, destroyed many objects to which certain miraculous virtues had been ascribed, and they constantly taunted the Christians with their belief in such superstitions. The Jews addressed the same reproaches to the Christians; “yet,” as Gibbon has justly observed, “their servitude might curb their zeal and depreciate their authority; but the triumphant Mussulman, who reigned at Damascus, and threatened Constantinople, [pg 081] cast into the scale of reproach the accumulated weight of truth and victory.”[54] And, indeed, there could not be a stronger argument against the efficacy of images than the rapid conquest by the Mahometans of many Christian cities which relied upon a miraculous defence by some images preserved in their churches. This circumstance could not but produce, in the minds of many thinking Christians, a conviction of the absurdity of image-worship, and the spread of such opinions must have been promoted by congregations who had preserved the purity of primitive worship, and of whom it appears that there were several still extant in the eighth century, as well as by the influence of Armenia, a country with which the eastern empire had frequent intercourse of a political and commercial nature, and whose church rejected at that time the worship of images. This party wanted only a leader and favourable circumstances in order publicly to assert their condemnation of the prevailing practice, which they considered as sinful idolatry. The accession of Leo III., the Isaurian, in 717, who, from an inferior condition, rose by his talents and military prowess to the imperial throne, gave to that party what they required, for he shared their opinions, and was a man of great energy and ability. The troubles of the state, which the valour and political wisdom of Leo saved from impending ruin, occupied [pg 082] too much the first years of that emperor's reign to allow him to undertake a reform of the church. But in 727 he assembled a council of senators and bishops, and decided, with their consent, that all the images should be removed in the churches from the sanctuary and the altar, to a height where they might be seen, but not worshipped, by the congregation.[55] It was, however, impossible to follow long this middle course, as the adherents of the images contrived to worship them in spite of their elevation, while their opponents taxed the emperor with want of zeal, holding out to him the example of the Jewish monarch, who had caused the brazen serpent to be broken. Leo therefore ordered all kinds of images to be destroyed; and though his edict met with some opposition,[56] it was put into execution throughout the whole empire, with the exception of the Italian provinces, which, instigated by Pope Gregory II., a zealous defender of images, revolted against the emperor, and resisted all his efforts to regain his dominion over them. This monarch died in 741, after a not inglorious reign of twenty-four years, and was succeeded on the throne by his son Constantine VIII., surnamed Copronymus. All the information which we possess about this monarch, as well as [pg 083] the other iconoclast emperors, is derived from historians violently opposed to their religious views. These writers represent Constantine VIII. as one of the greatest monsters that ever disgraced humanity, stained by every imaginable vice; and having exhausted all the usual terms of opprobrium, they invent some such ridiculous expressions as a “leopard generated by a lion, an aspic born from the seeds of a serpent, a flying dragon,” &c.; but they do not adduce in confirmation of these epithets any of those criminal acts which have disgraced the reigns of many Byzantine emperors, whose piety is extolled by the same writers. We know, moreover, by the evidence of those very historians who have bespattered with all those opprobrious terms the memory of Constantine, that he was a brave and skilful leader, who defeated the Arabs, the most formidable enemies of the empire, and restored several of its lost provinces, and that the country was prosperous under his reign of thirty-four years—741 to 775.
The beginning of Constantine's reign was disturbed by his own brother-in-law, Artabasdes, who, supported by the adherents of the images, competed for the imperial throne, but was defeated, and his party crushed. Constantine, desiring to abolish the abuse, which he regarded as idolatry, by a solemn decision of the church declared, in 753, his intention to convoke for this object a general council; [pg 084] and in order that the question at issue should be thoroughly sifted, he enjoined all the bishops of the empire to assemble local synods, and to examine the subject, previously to its being debated by the general council. This council, composed of three hundred and thirty-eight bishops, met at Constantinople in 754, and, after having deliberated for six months, decided that, conformably to Holy Writ and the testimony of the fathers, all images were to be removed from the churches, and whoever would dare to make an image, in order to place it in a church, to worship it, or to keep it concealed in his house, was, if a clerk, to be deposed, if a layman, to be anathematised. The council added, that those who adhered to the images were to be punished by the imperial authorities as enemies of the doctrine of the fathers, and breakers of the law of God. This decision was pronounced by the assembled bishops unanimously, and without a single dissentient voice, which had never been the case before. This assembly took the title of the Seventh Ecumenical Council, and the emperor ordered its decision to be put into execution throughout all his dominions. The images were removed from the churches, and those which were painted on the walls covered with whitewash. The principal opposition to the imperial order was offered by the monks, who were always the chief promoters of image-worship; and Constantine is accused of having [pg 085] repressed this opposition with a violence common to that barbarous age. He is said to have entertained the greatest hatred against these monks, calling them idolaters, and their dresses the dress of darkness—an opinion with which many persons will be found to chime, I think, even in our own time. Constantine died in 775, and was followed on the throne by his son, Leo IV., who inherited the religious views of his father; whilst his wife, Irene, a beautiful and talented, but ambitious and unprincipled woman, was a secret worshipper of images. Leo, who was of a weak constitution, died after a reign of five years, appointing Irene the guardian of his minor son Constantine, who was then ten years old. Irene governed the empire with great ability, but was too fond of power to surrender it to her son at his coming of age, and he tried to obtain by force what was due to him by right. The party of Irene proved, however, the stronger; and young Constantine was taken prisoner, and his mother caused him to be deprived of sight. Irene's orders were executed in such an atrocious manner, that the unfortunate prince died in consequence.[57] Irene governed the empire with great splendour, but her first object was to restore the worship of images; and the machinations by which she accomplished this object have been so well related by Gibbon, [pg 086] that I cannot do better than copy his account of them:—
“Under the reign of Constantine VIII., the union of the civil and ecclesiastical power had overthrown the tree, without extirpating the root of superstition. The idols, for such they were now held, were secretly cherished by the order and the sex most prone to devotion; and the fond alliance of the monks and females obtained a final victory over the reason and authority of man. Leo IV. maintained with less rigour the religion of his father and grandfather, but his wife, the fair and ambitious Irene, had imbibed the zeal of the Athenians,[58] the heirs of the idolatry rather than philosophy of their ancestors. During the life of her husband, these sentiments were inflamed by danger and dissimulation, and she could only labour to protect and promote some favourite monks, whom she drew from their caverns, and seated on the metropolitan thrones of the east. But as soon as she reigned in her own name, and in that of her son, Irene more seriously undertook the ruin of the iconoclasts, and the first step of her future persecution was a general edict for liberty of conscience. In the restoration of the monks, a thousand images were exposed to the public veneration; a thousand legends were invented of their sufferings and miracles. By the opportunities of death and removal, the episcopal seats were [pg 087] judiciously filled; the most eager competitors for celestial or earthly favour anticipated and flattered the judgment of their sovereign; and the promotion of her secretary Tarasius gave Irene the patriarch of Constantinople, and the command of the Oriental church. But the decrees of a general council could only be repealed by a similar assembly; the iconoclasts, whom she convened, were bold in possession, and averse to debate; and the feeble voice of the bishops was re-echoed by the more formidable clamour of the soldiers and the people of Constantinople. The delay and intrigues of a year, the separation of the disaffected troops, and the choice of Nice for a second orthodox synod, removed these obstacles; and the episcopal conscience was again, after the Greek fashion, in the hands of the prince.”—Gibbon's Roman Empire, chap. xlix. This council, held in 786, restored the worship of images by the unanimous sentence of three hundred and fifty bishops. The acts of this synod have been preserved, and they are stated by Gibbon to be “a curious monument of superstition and ignorance, of falsehood and folly.” I am afraid that there is but too much truth in this severe judgment of Gibbon; and the following passage relating to the same council, which I have extracted, not from Gibbon, or any writer of the school to which he belonged, but from the celebrated Roman Catholic historian of the church, Abbé Fleury, will enable [pg 088] the reader to form his own judgment on this subject.
After describing the confession of faith signed by that council, which declared that the images of the saints are to be worshipped, because they remind us of those whom they represent, and make us participators in their merits, he says:—
“The last passages showed that God was making miracles by means of images; and in order to confirm it, a discourse, ascribed to St Athanasius, was read. It contained the account of a pretended miracle, which happened at Beryt, with an image of Christ, which, having been pierced by the Jews, emitted blood, which healed many sick persons. The fathers of the council were so much moved by this account that they shed tears. It is, however, certain, that this discourse is not by St Athanasius, and it is even very doubtful whether the story which it contains is true. Thus it appears that amongst all the bishops present at this council, there was not a single one versed in the science of criticism, because many other false documents were produced in that assembly. This proves nothing against the decision of the council, because it is sufficiently supported by true documents. It only proves the ignorance of the times, as well as the necessity of knowing history, chronology, the difference of manners and styles, in order to discern real documents from spurious ones.”[59]
Thus, according to the authority of one of the most eminent writers of the Roman Catholic Church, the second Council of Nice, the first synod which has given an explicit and solemn sanction to one of the most important tenets of the Western and the Eastern churches, was composed of such ignorant and silly prelates, that an absurd fable, contained in a forged paper, could sway their minds and hearts in such a manner as to make them shed tears of emotion, and that there was not a single individual amongst these venerable fathers sufficiently informed to be able to discover a fabrication so gross that it did not escape the attention of scholars who lived many centuries afterwards.
Irene rigorously enforced the decrees of this council against the opponents of images; and that woman, guilty of the death of her own son, and suspected of that of her husband, is extolled by ecclesiastical writers as a most pious princess. A contemporary Greek writer, and a zealous defender of image-worship, the monk Theodore Studites, places her above Moses, and says that “she had delivered the people from the Egyptian bondage of impiety;” and the historian of the Roman Catholic Church, Baronius, justifies her conduct by the following argument: that the hands of the fathers were raised by a just command of God against their children, who followed strange gods, and that Moses had ordered them to consecrate themselves to the Lord, even every man [pg 090] upon his son, and upon his brother, Exod. xxxii. 29, so that it was a high degree of piety to be cruel to one's own son; consequently Irene deserved on this account the first crown of paradise; and that if she had committed the murder of her son from motives of ambition, she would be worse than Agrippina, mother of Nero; but if she did it through zeal for religion, as it appears by the encomium which she had received from very holy men who lived at that time, she deserves to be praised for her piety.