A human avalanche suddenly rose before me, and from this living pyramid emerged two hundred hands to dispute their prey, while a hundred mouths were opened to swallow it.
I thought it high time to beat a retreat, in the fear of being buried beneath this shapeless mass. It was impossible; behind me a file of thirsty drinkers barred my passage.
The danger was pressing, for the pyramid was bending forward to reach me, and might lose its balance at any moment; the cries of the unhappy beings supporting its weight explained the dangerous position in which I might soon find myself; hence, I rushed with my head down through the mass, and reached the stage in time to notice the curious sight of a falling mountain.
I will not attempt to describe the cries, shouts, and applauses that accompanied this fall, while the victims were loud in their abuse, and found no way of getting up, save by stepping on their companions in misfortune. The noise was atrocious.
The curtain fell on this strange scene, but shouts and clapping were immediately heard: “The conjurer!” Houdin must come out to be complimented.
I obeyed this order, and when I made my appearance, either because I had been too liberal with my bottle, or because, as I would sooner think, my spectators were satisfied with my performance, the shouts and applause broke out in such a formidable manner that I was quite stupefied, while feeling acutely the pleasure they produced me. For I must say that the noise of the hands struck together, though so trying in itself, has nothing to shock the ear of a performer; on the contrary, the more deafening it becomes, the more harmonious it appears to the recipient.
The following performances were far from being so tumultuous as the first, and the reason is very simple. The merchants and traders, who form the aristocracy of Manchester, having heard of my performances, came with the families to witness them, and their presence contributed to keep the workmen in order. The house assumed a different aspect, and henceforth I could only praise the quietness of the pit.
Fifteen consecutive performances had not exhausted the curiosity of the inhabitants, and I could certainly have given fifteen more, at least, when, to my great regret, I was obliged to make way for two celebrities—Jenny Lind and Roger—whom Knowles had engaged to follow my performance.
Though I felt vexed at throwing such a chance away, on the other hand I was glad to escape as soon as possible from that heavy and smoky atmosphere, which makes the industrial capital of England resemble a city of chimney-sweeps. I could not accustom my lungs to inhale, instead of air, the flakes of soot constantly floating about. I fell into a state of melancholy almost akin to spleen, which did not abandon me till I reached the gay city of Liverpool, where I intended to remain several weeks.
I was at that time at the height of my fashion; my performance began with applause and ended with famous receipts. I need only add, that, after performing in turn at the theatres of Liverpool, Birmingham, Worcester, Cheltenham, Bristol, and Exeter, I returned to London to give fifteen performances ere I started for France.