Drover Dingdong’s Sheep followed the Ram which Panurge had maliciously thrown overboard and leapt nimbly into the sea, one after the other, “for you know,” says Rabelais, “it is the nature of the sheep always to follow the first, wheresoever it goes; which makes Aristotle mark them for the most silly and foolish animals in the world.”[1]
The Pine Caterpillar is even more sheep-like, not from foolishness, but from necessity: where the first goes all the others go, in a regular string, with not an empty space between them.
They proceed in single file, in a continuous row, each touching with its head the rear of the one in front of it. The complex twists and turns described in his vagaries by the caterpillar leading the van are scrupulously described by all the others. No Greek theoria winding its way to the Eleusinian festivals was [[59]]ever more orderly. Hence the name of Processionary given to the gnawer of the pine.
His character is complete when we add that he is a rope-dancer all his life long: he walks only on the tight-rope, a silken rail placed in position as he advances. The caterpillar who chances to be at the head of the procession dribbles his thread without ceasing and fixes it on the path which his fickle preferences cause him to take. The thread is so tiny that the eye, though armed with a magnifying-glass, suspects it rather than sees it.
But a second caterpillar steps on the slender footboard and doubles it with his thread; a third trebles it; and all the others, however many there be, add the sticky spray from their spinnerets, so much so that, when the procession has marched by, there remains, as a record of its passing, a narrow white ribbon whose dazzling whiteness shimmers in the sun. Very much more sumptuous than ours, their system of road-making consists in upholstering with silk instead of macadamizing. We sprinkle our roads with broken stones and level them by the pressure of a heavy steam-roller; they lay over their paths a soft satin [[60]]rail, a work of general interest to which each contributes his thread.
What is the use of all this luxury? Could they not, like other caterpillars, walk about without these costly preparations? I see two reasons for their mode of progression. It is night when the Processionaries sally forth to browse upon the pine-leaves. They leave their nest, situated at the top of a bough, in profound darkness; they go down the denuded pole till they come to the nearest branch that has not yet been gnawed, a branch which becomes lower and lower by degrees as the consumers finish stripping the upper storeys; they climb up this untouched branch and spread over the green needles.
When they have had their suppers and begin to feel the keen night air, the next thing is to return to the shelter of the house. Measured in a straight line, the distance is not great, hardly an arm’s length; but it cannot be covered in this way on foot. The caterpillars have to climb down from one crossing to the next, from the needle to the twig, from the twig to the branch, from the branch to the bough and from the bough, by a no less angular path, to go back home. It [[61]]is useless to rely upon sight as a guide on this long and erratic journey. The Processionary, it is true, has five ocular specks on either side of his head, but they are so infinitesimal, so difficult to make out through the magnifying-glass, that we cannot attribute to them any great power of vision. Besides, what good would those short-sighted lenses be in the absence of light, in black darkness?
It is equally useless to think of the sense of smell. Has the Processional any olfactory powers or has he not? I do not know. Without giving a positive answer to the question, I can at least declare that his sense of smell is exceedingly dull and in no way suited to help him find his way. This is proved, in my experiments, by a number of hungry caterpillars that, after a long fast, pass close beside a pine-branch without betraying any eagerness or showing a sign of stopping. It is the sense of touch that tells them where they are. So long as their lips do not chance to light upon the pasture-land, not one of them settles there, though he be ravenous. They do not hasten to food which they have scented from afar; they stop at a branch which they encounter on their way. [[62]]
Apart from sight and smell, what remains to guide them in returning to the nest? The ribbon spun on the road. In the Cretan labyrinth, Theseus would have been lost but for the clue of thread with which Ariadne supplied him. The spreading maze of the pine-needles is, especially at night, as inextricable a labyrinth as that constructed for Minos. The Processionary finds his way through it, without the possibility of a mistake, by the aid of his bit of silk. At the time for going home, each easily recovers either his own thread or one or other of the neighbouring threads, spread fanwise by the diverging herd; one by one the scattered tribe line up on the common ribbon, which started from the nest; and the sated caravan finds its way back to the manor with absolute certainty.
Longer expeditions are made in the daytime, even in winter, if the weather be fine. Our caterpillars then come down from the tree, venture on the ground, march in procession for a distance of thirty yards or so. The object of these sallies is not to look for food, for the native pine-tree is far from being exhausted: the shorn branches hardly count amid the vast leafage. Moreover, the caterpillars [[63]]observe complete abstinence till nightfall. The trippers have no other object than a constitutional, a pilgrimage to the outskirts to see what these are like, possibly an inspection of the locality where, later on, they mean to bury themselves in the sand for their metamorphosis.