“Put on your things, laddie,” I say to my [[248]]son. “Leave your cage and come with me. We shall see something interesting.”
We run downstairs to go to my study, which occupies the right wing of the house. In the kitchen I find the servant, who is also bewildered by what is happening and stands flicking her apron at great Moths whom she took at first for Bats.
The Great Peacock, it would seem, has taken possession of pretty well every part of the house. What will it be around my prisoner, the cause of this incursion? Luckily, one of the two windows of the study had been left open. The approach is not blocked.
We enter the room, candle in hand. What we see is unforgetable. With a soft flick-flack the great Moths fly around the bell-jar, alight, set off again, come back, fly up to the ceiling and down. They rush at the candle, putting it out with a stroke of their wings; they descend on our shoulders, clinging to our clothes, grazing our faces. The scene suggests a wizard’s cave, with its whirl of Bats. Little Paul holds my hand tighter than usual, to keep up his courage.
How many of them are there? About a score. Add to these the number that have [[249]]strayed into the kitchen, the nursery and the other rooms of the house; and the total of those who have arrived from the outside cannot fall far short of forty. As I said, it was a memorable evening, this Great Peacock evening. Coming from every direction and apprised I know not how, here are forty lovers eager to pay their respects to the marriageable bride born that morning amid the mysteries of my study.
For the moment let us disturb the swarm of wooers no further. The flame of the candle is a danger to the visitors, who fling themselves into it madly and singe their wings. We will resume the observation tomorrow with an experimental interrogatory thought out beforehand.
But first let us clear the ground and speak of what happens every night during the week that my observation lasts. Each time it is pitch dark, between eight and ten o’clock, when the Moths arrive one by one. It is stormy weather, the sky is very much overcast and the darkness is so profound that even in the open air, in the garden, far from the shadow of the trees, it is hardly possible to see one’s hand before one’s face. [[250]]
In addition to this darkness there is the difficulty of access. The house is hidden by tall plane-trees; it is approached by a walk thickly bordered with lilac- and rose-trees, forming a sort of outer vestibule; it is protected against the mistral by clumps of pines and screens of cypresses. Clusters of bushy shrubs make a rampart a few steps away from the door. It is through this tangle of branches, in complete darkness, that the Great Peacock has to tack about to reach the object of his pilgrimage.
Under such conditions, the Brown Owl would not dare leave the hole in his olive-tree. The Moth, better-endowed with his faceted optical organs than the night-bird with its great eyes, goes forward without hesitating and passes through without knocking against things. He directs his tortuous flight so skilfully that, despite the obstacles overcome, he arrives in a state of perfect freshness, with his big wings intact, with not a scratch upon him. The darkness is light enough for him.
Even if we grant that it perceives certain rays unknown to common retinæ, this extraordinary power of sight cannot be what [[251]]warns the Moth from afar and brings him hurrying to the spot. The distance and the screens interposed make this quite impossible.