What is this? On the mud lie some loose, knotted, soot-colored cords. One could take them for threads of wool like those which you pull out of an old ravelly stocking. Can some shepherdess, knitting a black sock and finding her work turn out badly, have begun all over again and, in her impatience, have thrown down the wool with all the dropped stitches? It really looks like it.
I take up one of those cords in my hand. It is sticky and extremely slack; the thing slips through the fingers before they can catch hold of it. A few of the knots burst and shed their contents. What comes out is a black globule, the size of a pin's head, followed by a flat tail. I recognize, on a very small scale, a familiar object: the tadpole, the frog's baby. I have seen enough. Let us leave the knotted cords alone.
The next creatures please me better. They spin round on the surface of the water and their black backs gleam in the sun. If I lift a hand to seize them, that moment they disappear, I know not where. It's a pity: I should have much liked to see them closer and to make them wriggle in a little bowl which I should have put ready for them.
Let us look at the bottom of the water, pulling aside those bunches of green string whence beads of air are rising and gathering into foam. There is something of everything underneath. I see pretty shells with compact whorls, flat as beans; I notice little worms carrying tufts and feathers; I make out some with flabby fins constantly flapping on their backs. What are they all doing there? What are their names? I do not know. And I stare at them for ever so long, held by the incomprehensible mystery of the waters.
At the place where the pond dribbles into the adjoining field are some alder trees; and here I make a glorious find. It is a scarab—not a very large one, oh no! He is smaller than a cherry-stone, but of an unutterable blue. The angels in paradise must wear dresses of that color. I put the glorious one inside an empty snail-shell, which I plug up with a leaf. I shall admire that living jewel at my leisure, when I get back. Other distractions summon me away.
The spring that feeds the pond trickles from the rock, cold and clear. The water first collects into a cup, the size of the hollow of one's two hands, and then runs over in a stream. These falls call for a mill: that goes without saying. Two bits of straw, artistically crossed upon an axis, provide the machinery; some flat stones set on edge afford supports. It is a great success: the mill turns admirably. My triumph would be complete, could I but share it. For want of other playmates, I invite the ducks.
Everything palls in this poor world of ours, even a mill made of two straws. Let us think of something else: let us contrive a dam to hold back the waters and form a pool. There is no lack of stones for the brickwork. I pick the most suitable; I break the larger ones. And, while collecting these blocks, suddenly I forget all about the dam which I meant to build.
On one of the broken stones, in a cavity large enough for me to put my fist in, something gleams like glass. The hollow is lined with facets gathered in sixes which flash and glitter in the sun. I have seen something like this in church, on the great saints' days, when the light of the candles in the big chandelier kindles the stars in its hanging crystal.
We children, lying, in summer, on the straw of the threshing floor, have told one another stories of the treasures which a dragon guards underground. Those treasures now return to my mind: the names of precious stones ring out uncertainly but gloriously in my memory. I think of the king's crown, of the princesses' necklaces. In breaking stones, can I have found, but on a much richer scale, the thing that shines quite small in my mother's ring? I want more such.
The dragon of the subterranean treasures treats me generously. He gives me his diamonds in such quantities that soon I possess a heap of broken stones sparkling with magnificent clusters. He does more: he gives me his gold. The trickle of water from the rock falls on a bed of fine sand which it swirls into bubbles. If I bent over towards the light, I see something like gold filings whirling where the fall touches the bottom. Is it really the famous metal of which twenty-franc pieces, so rare with us at home, are made? One would think so, from the glitter.