The insects reared in a tumbler show yet another method of building the first dwelling. This time, the caddis worm is given a few very leafy stalks of pond weed (Potamogeton densum) and a bundle of small dry twigs. It perches on a leaf, which the nippers of the mandibles cut half across. The portion left untouched will act as a lanyard and give the necessary steadiness to the early operations.
From an adjoining leaf a section is cut out entirely, an angular and good sized piece. There is plenty of material and no need for economy. The piece is soldered with silk to the strip which was not wholly cut off. The result of three or four similar operations is to surround the Caddis worm with a conical bag, whose wide mouth is scalloped with pointed and very irregular notches. The work of the nippers continues; fresh pieces are fixed, from one to another, inside the funnel, not far from the edge, so that the bag lengthens, tapers and ends by wrapping the animal in a light and floating drapery.
Thus clad for the time being, either in the fine silk of the pond weed or in the linsey-woolsey supplied by the roots of the watercress, the caddis worm begins to think of building a more solid sheath. The present casing will serve as a foundation for the stronger building. But the necessary materials are seldom near at hand: you have to go and fetch them, you have to move your position, an effort which has been avoided until now. With this object, the caddis worm cuts its moorings, that is to say, the rootlets which keep the cylinder fixed, or else the half-severed leaf of pond weed on which the cone-shaped bag has come into being.
The worm is now free. The smallness of the artificial pond, the tumbler, soon brings it into touch with what it is seeking. This is a little faggot of dry twigs, which I have selected of equal length and of slight thickness. Displaying greater care than it did when treating the slender roots, the carpenter measures out the requisite length on the joist. The distance to which it has to extend its body in order to reach the point where the break will be made tells it pretty accurately what length of stick it wants.
The piece is patiently sawn off with the mandibles; it is next taken in the fore legs and held crosswise below the neck. The backward movement which brings the caddis worm home also brings the bit of twig to the edge of the tube. Thereupon, the methods employed in working with the scraps of root are renewed in precisely the same manner. The sticks are scaffolded to the regulation height, all alike in length, amply soldered in the middle and free at either end.
With the picked materials provided, the carpenter has turned out a work of some elegance. The joists are all arranged crosswise, because this way is the handiest for carrying the sticks and putting them in position; they are fixed by the middle, because the two arms that hold the stick while the spinneret does its work require an equal grasp on either side; each soldering covers a length which is seen to be practically invariable, because it is equal to the width described by the head in bending first to this side and then to that when the silk is emitted; the whole assumes a polygonal shape, not far removed from a rectilinear pentagon, because, between laying one piece and the next, the caddis worm turns by the width of an arc corresponding with the length of a soldering. The regularity of the method produces the regularity of the work; but it is essential, of course, that the materials should lend themselves to precise coordination.
In its natural pond, the caddis worm does not often have at its disposal the picked joists which I give it in the tumbler. It comes across something of everything; and that something of everything it employs as it finds it. Bits of wood, large seeds, empty shells, stubble stalks, shapeless fragments are used in the building for better or for worse, just as they occur, without being trimmed by the saw; and this jumble, the result of chance, results in a shockingly faulty structure.
The caddis worm does not forget its talents; but it lacks choice pieces. Give it a proper timber yard and it at once reverts to correct architecture, of which it carries the plans within itself. With small, dead pond snails, all of the same size, it fashions a splendid patchwork scabbard; with a cluster of slender roots, reduced by rotting to their stiff, straight, woody axis, it manufactures pretty specimens of wicker work which could serve as models to our basket makers.
Let us watch it at work when it is unable to use its favorite joist. There is no point in giving it clumsy building stones; that would only bring us back to the uncouth sheaths. Its propensity to make use of soaked seeds, those of the iris, for instance, suggests that I might try grains. I select rice, which, because of its hardness, will be tantamount to wood and, because of its clean whiteness and its oval shape, will lend itself to artistic masonry.
Obviously, my denuded caddis worms cannot start their work with bricks of this kind. Where would they fix their first layer? They must have a foundation, quick and easy to build. This is once more supplied by a temporary cylinder of watercress roots. On this support follow the grains of rice, which, grouped one atop the other, straight or slanting, end by giving a magnificent turret of ivory. Next to the sheaths made of tiny snail shells, this is the prettiest thing with which the caddis worm's industry has furnished me. A fine sense of order has returned, because the materials, regular and of identical character, have cooperated with the correct method of the worker.