I have wished for a few things in my life, none of them capable of interfering with the common weal. I have longed to possess a pond, screened from the indiscretion of the passers by, close to my house, with clumps of rushes and patches of duckweed. Here, in my leisure hours, in the shade of a willow, I should have meditated upon aquatic life, a primitive life, easier than our own, simpler in its affections and its brutalities. I should have watched the unalloyed happiness of the mollusk, the frolics of the Whirligig, the figure-skating of the Hydrometra

I should have brought back a few ideas from my frequent visits to the pond. Fate decided otherwise: I was not to have my sheet of water. I have tried the artificial pond, between four panes of glass. A poor shift! Our laboratory aquariums are not even equal to the print left in the mud by a mule's hoof, when once a shower has filled the humble basin and life has stocked it with its marvels.

In spring, with the hawthorn in flower and the crickets at their concerts, a second wish often came to me. Along the road, I light upon a dead mole, a snake killed with a stone, victims both of human folly. The mole was draining the soil and purging it of its vermin. Finding him under his spade, the laborer broke his back for him and flung him over the hedge. The snake, roused from her slumber by the soft warmth of April, was coming into the sun to shed her skin and take on a new one. Man catches sight of her: 'Ah, would you?' says he. 'See me do something for which the world will thank me!'

And the harmless beast, our auxiliary in the terrible battle which husbandry wages against the insect, has its head smashed in and dies.

The two corpses, already decomposing, have begun to smell. Whoever approaches with eyes that do not see turns away his head and passes on. The observer stops and lifts the remains with his foot; he looks. A world is swarming underneath; life is eagerly consuming the dead. Let us replace matters as they were and leave death's artisans to their task. They are engaged in a most deserving work.

To know the habits of those creatures charged with the disappearance of corpses, to see them busy at their work of disintegration, to follow in detail the process of transmutation that makes the ruins of what has lived return apace into life's treasure house: these are things that long haunted my mind. I regretfully left the mole lying in the dust of the road. I had to go, after a glance at the corpse and its harvesters. It was not the place for philosophizing over a stench. What would people say who passed and saw me!

And what will the reader himself say, if I invite him to that sight? Surely, to busy one's self with those squalid sextons means soiling one's eyes and mind? Not so, if you please! Within the domain of our restless curiosity, two questions stand out above all others: the question of the beginning and the question of the end. How does matter unite in order to assume life? How does it separate when returning to inertia? The pond, with its Planorbis eggs turning round and round, would have given us a few data for the first problem; the Mole, going bad under conditions not too repulsive, will tell us something about the second: he will show us the working of the crucible wherein all things are melted to begin anew. A truce to nice delicacy! Odi profanum vulgus et arceo; hence, ye profane: you would not understand the mighty lesson of the rag tank.

I am now in a position to realize my second wish. I have space, air and quiet in the solitude of the harmas. None will come here to trouble me, to smile or to be shocked at my investigations. So far, so good; but observe the irony of things: now that I am rid of passers by, I have to fear my cats, those assiduous prowlers, who, finding my preparations, will not fail to spoil and scatter them. In anticipation of their misdeeds, I establish workshops in midair, whither none but genuine corruption agents can come, flying on their wings. At different points in the enclosure, I plant reeds, three by three, which, tied at their free ends, form a stable tripod. From each of these supports, I hang, at a man's height, an earthenware pan filled with fine sand and pierced at the bottom with a hole to allow the water to escape, if it should rain. I garnish my apparatus with dead bodies. The snake, the lizard, the toad receive the preference, because of their bare skins, which enable me better to follow the first attack and the work of the invaders. I ring the changes with furred and feathered beasts. A few children of the neighborhood, allured by pennies, are my regular purveyors. Throughout the good season, they come running triumphantly to my door, with a snake at the end of a stick, or a lizard in a cabbage leaf. They bring me the rat caught in a trap, the chicken dead of the pip, the mole slain by the gardener, the kitten killed by accident, the rabbit poisoned by some weed. The business proceeds to the mutual satisfaction of sellers and buyer. No such trade had ever been known before in the village nor ever will be again.

April ends; and the pans rapidly fill. An ant, ever so small, is the first arrival. I thought I should keep this intruder off by hanging my apparatus high above the ground: she laughs at my precautions. A few hours after the deposit of the morsel, fresh still and possessing no appreciable smell, up comes the eager picker-up of trifles, scales the stems of the tripod in processions and starts the work of dissection. If the joint suits her, she even goes to live in the sand of the pan and digs herself temporary platforms in order to work the rich find more at her ease.

All through the season, from start to finish, she will always be the promptest, always the first to discover the dead animal, always the last to beat a retreat when nothing more remains than a heap of little bones bleached by the sun. How does the vagabond, passing at a distance, know that, up there, invisible, high on the gibbet, there is something worth going for? The others, the real knackers, wait for the meat to go bad; they are informed by the strength of the effluvia. The ant, gifted with greater powers of scent, hurries up before there is any stench at all. But, when the meat, now two days old and ripened by the sun, exhales its flavor, soon the master ghouls appear upon the scene: Dermestes [bacon beetles, small flesh-eating beetles] and Saprini [exceedingly small flesh-eating beetles], Silphae [carrion beetles] and Necrophori [burying beetles], flies and Staphylini [rove beetles], who attack the corpse, consume it and reduce it almost to nothing. With the ant alone, who each time carries off a mere atom, the sanitary operation would take too long; with them, it is a quick business, especially as certain of them understand the process of chemical solvents.