Among the singers in the July gloaming, one alone, were he able to vary his notes, could vie with the Toad’s harmonious bells. This is the little Scops-owl, that comely nocturnal bird of prey, with the round gold eyes. He sports on his forehead two small feathered horns which have won for him in the district the name of Machoto banarudo, [[282]]the Horned Owl. His song, which is rich enough to fill by itself the still night air, is of a nerve-shattering monotony. With imperturbable and measured regularity, for hours on end, kew, kew, the bird spits out its cantata to the moon.
One of them has arrived at this moment, driven from the plane-trees in the square by the din of the rejoicings, to demand my hospitality. I can hear him in the top of a cypress near by. From up there, dominating the lyrical assembly, at regular intervals he cuts into the vague orchestration of the Grasshoppers and the Toads.
His soft note is contrasted, intermittently, with a sort of Cat’s mew, coming from another spot. This is the call of the Common Owl, the meditative bird of Minerva. After hiding all day in the seclusion of a hollow olive-tree, he started on his wanderings when the shades of evening began to fall. Swinging along with a sinuous flight, he came from somewhere in the neighbourhood to the pines in my enclosure, whence he mingles his harsh mewing, slightly softened by distance, with the general concert.
The Green Grasshopper’s clicking is too faint to be clearly perceived amidst these [[283]]clamourers; all that reaches me is the least ripple, just noticeable when there is a moment’s silence. He possesses as his apparatus of sound only a modest drum and scraper, whereas they, more highly privileged, have their bellows, the lungs, which send forth a column of vibrating air. There is no comparison possible. Let us return to the insects.
One of these, though inferior in size and no less sparingly equipped, greatly surpasses the Grasshopper in nocturnal rhapsodies. I speak of the pale and slender Italian Cricket (Œcanthus pellucens, Scop.), who is so puny that you dare not take him up for fear of crushing him. He makes music everywhere among the rosemary-bushes, while the Glow-worms light up their blue lamps to complete the revels. The delicate instrumentalist consists chiefly of a pair of large wings, thin and gleaming as strips of mica. Thanks to these dry sails, he fiddles away with an intensity capable of drowning the Toads’ fugue. His performance suggests, but with more brilliancy, more tremolo in the execution, the song of the Common Black Cricket. Indeed the mistake would certainly be made by any one who did not [[284]]know that, by the time that the very hot weather comes, the true Cricket, the chorister of spring, has disappeared. His pleasant violin has been succeeded by another more pleasant still and worthy of special study. We shall return to him at an opportune moment.
These then, limiting ourselves to select specimens, are the principal participants in this musical evening: the Scops-owl, with his languorous solos; the Toad, that tinkler of sonatas; the Italian Cricket, who scrapes the first string of a violin; and the Green Grasshopper, who seems to beat a tiny steel triangle.
We are celebrating to-day, with greater uproar than conviction, the new era, dating politically from the fall of the Bastille; they, with glorious indifference to human things, are celebrating the festival of the sun, singing the happiness of existence, sounding the loud hosanna of the July heats.
What care they for man and his fickle rejoicings! For whom or for what will our squibs be spluttering a few years hence? Far-seeing indeed would he be who could answer the question. Fashions change and bring us the unexpected. The time-serving [[285]]rocket spreads its sheaf of sparks for the public enemy of yesterday, who has become the idol of to-day. To-morrow it will go up for somebody else.
In a century or two, will any one, outside the historians, give a thought to the taking of the Bastille? It is very doubtful. We shall have other joys and also other cares.
Let us look a little farther ahead. A day will come, so everything seems to tell us, when, after making progress upon progress, man will succumb, destroyed by the excess of what he calls civilization. Too eager to play the god, he cannot hope for the animal’s placid longevity; he will have disappeared when the little Toad is still saying his litany, in company with the Grasshopper, the Scops-owl and the others. They were singing on this planet before us; they will sing after us, celebrating what can never change, the fiery glory of the sun.