It is the first week of August, at about nine o’clock in the evening, under a perfect sky, in calm, hot weather. The Spider has not yet constructed her web and is sitting motionless on her suspension-cable. The fact that she should be slacking like this, at a time when her building-operations ought to be in full swing, naturally astonishes me. Can something unusual be afoot?

Even so. I see hastening up from the neighbouring bushes and embarking on the cable a male, a dwarf, who is coming, the whipper-snapper, to pay his respects to the portly giantess. How has he, in his distant corner, heard of the presence of the nymph ripe for marriage? Among the Spiders, these things are learnt in the silence of the night, without a summons, without a signal, none knows how.

Once, the Great Peacock, [{32}] apprised by the magic effluvia, used to come from miles around to visit the recluse in her bell-jar in my study. The dwarf of this evening, that other nocturnal pilgrim, crosses the intricate tangle of the branches without a mistake and makes straight for the rope-walker. He has as his guide the infallible compass that brings every Jack and his Jill together.

He climbs the slope of the suspension-cord; he advances circumspectly, step by step. He stops some distance away, irresolute. Shall he go closer? Is this the right moment? No. The other lifts a limb and the scared visitor hurries down again. Recovering from his fright, he climbs up once more, draws a little nearer. More sudden flights, followed by fresh approaches, each time nigher than before. This restless running to and fro is the declaration of the enamoured swain.

Perseverance spells success. The pair are now face to face, she motionless and grave, he all excitement. With the tip of his leg, he ventures to touch the plump wench. He has gone too far, daring youth that he is! Panic-stricken, he takes a header, hanging by his safety-line. It is only for a moment, however. Up he comes again. He has learnt, from certain symptoms, that we are at last yielding to his blandishments.

With his legs and especially with his palpi, or feelers, he teases the buxom gossip, who answers with curious skips and bounds. Gripping a thread with her front tarsi, or fingers, she turns, one after the other, a number of back somersaults, like those of an acrobat on the trapeze. Having done this, she presents the under-part of her paunch to the dwarf and allows him to fumble at it a little with his feelers. Nothing more: it is done.

The object of the expedition is attained. The whipper-snapper makes off at full speed, as though he had the Furies at his heels. If he remained, he would presumably be eaten. These exercises on the tight-rope are not repeated. I kept watch in vain on the following evenings: I never saw the fellow again.

When he is gone, the bride descends from the cable, spins her web and assumes the hunting-attitude. We must eat to have silk, we must have silk to eat and especially to weave the expensive cocoon of the family. There is therefore no rest, not even after the excitement of being married.

The Epeirae are monuments of patience in their lime-snare. With her head down and her eight legs wide-spread, the Spider occupies the centre of the web, the receiving-point of the information sent along the spokes. If anywhere, behind or before, a vibration occur, the sign of a capture, the Epeira knows about it, even without the aid of sight. She hastens up at once.

Until then, not a movement: one would think that the animal was hypnotized by her watching. At most, on the appearance of anything suspicious, she begins shaking her nest. This is her way of inspiring the intruder with awe. If I myself wish to provoke the singular alarm, I have but to tease the Epeira with a bit of straw. You cannot have a swing without an impulse of some sort. The terror-stricken Spider, who wishes to strike terror into others, has hit upon something much better. With nothing to push her, she swings with her floor of ropes. There is no effort, no visible exertion. Not a single part of the animal moves; and yet everything trembles. Violent shaking proceeds from apparent inertia. Rest causes commotion.