When laying-time is at hand, the Spider changes her residence; she abandons her web in excellent condition; she does not return to it. Whoso will can take possession of the house. The hour has come to found the family-establishment. But where? The Spider knows right well; I am in the dark. Mornings are spent in fruitless searches. In vain I ransack the bushes that carry the webs: I never find aught that realizes my hopes.
I learn the secret at last. I chance upon a web which, though deserted, is not yet dilapidated, proving that it has been but lately quitted. Instead of hunting in the brushwood whereon it rests, let us inspect the neighbourhood, to a distance of a few paces. If these contain a low, thick cluster, the nest is there, hidden from the eye. It carries an authentic certificate of its origin, for the mother invariably occupies it.
By this method of investigation, far from the labyrinth-trap, I become the owner of as many nests as are needed to satisfy my curiosity. They do not by a long way come up to my idea of the maternal talent. They are clumsy bundles of dead leaves, roughly drawn together with silk threads. Under this rude covering is a pouch of fine texture containing the egg-casket, all in very bad condition, because of the inevitable tears incurred in its extrication from the brushwood. No, I shall not be able to judge of the artist’s capacity by these rags and tatters.
The insect, in its buildings, has its own architectural rules, rules as unchangeable as anatomical peculiarities. Each group builds according to the same set of principles, conforming to the laws of a very elementary system of aesthetics; but often circumstances beyond the architect’s control—the space at her disposal, the unevenness of the site, the nature of the material and other accidental causes—interfere with the worker’s plans and disturb the structure. Then virtual regularity is translated into actual chaos; order degenerates into disorder.
We might discover an interesting subject of research in the type adopted by each species when the work is accomplished without hindrances. The Banded Epeira weaves the wallet of her eggs in the open, on a slim branch that does not get in her way; and her work is a superbly artistic jar. The Silky Epeira also has all the elbow-room she needs; and her paraboloid is not without elegance. Can the Labyrinth Spider, that other spinstress of accomplished merit, be ignorant of the precepts of beauty when the time comes for her to weave a tent for her offspring? As yet, what I have seen of her work is but an unsightly bundle. Is that all she can do?
I look for better things if circumstances favour her. Toiling in the midst of a dense thicket, among a tangle of dead leaves and twigs, she may well produce a very inaccurate piece of work; but compel her to labour when free from all impediment: she will then—I am convinced of it beforehand—apply her talents without constraint and show herself an adept in the building of graceful nests.
As laying-time approaches, towards the middle of August, I instal half-a-dozen Labyrinth Spiders in large wire-gauze cages, each standing in an earthen pan filled with sand. A sprig of thyme, planted in the centre, will furnish supports for the structure, together with the trellis-work of the top and sides. There is no other furniture, no dead leaves, which would spoil the shape of the nest if the mother were minded to employ them as a covering. By way of provision, Locusts, every day. They are readily accepted, provided they be tender and not too large.
The experiment works perfectly. August is hardly over before I am in possession of six nests, magnificent in shape and of a dazzling whiteness. The latitude of the workshop has enabled the spinstress to follow the inspiration of her instinct without serious obstacles; and the result is a masterpiece of symmetry and elegance, if we allow for a few angularities demanded by the suspension-points.
It is an oval of exquisite white muslin, a diaphanous abode wherein the mother must make a long stay to watch over the brood. The size is nearly that of a Hen’s egg. The cabin is open at either end. The front-entrance broadens into a gallery; the back-entrance tapers into a funnel-neck. I fail to see the object of this neck. As for the opening in front, which is wider, this is, beyond a doubt, a victualling-door. I see the Spider, at intervals, standing here on the look-out for the Locust, whom she consumes outside, taking care not to soil the spotless sanctuary with corpses.
The structure of the nest is not without a certain similarity to that of the home occupied during the hunting-season. The passage at the back represents the funnel-neck, that ran almost down to the ground and afforded an outlet for flight in case of grave danger. The one in front, expanding into a mouth kept wide open by cords stretched backwards and forwards, recalls the yawning gulf into which the victims used to fall. Every part of the old dwelling is repeated: even the labyrinth, though this, it is true, is on a much smaller scale. In front of the bell-shaped mouth is a tangle of threads wherein the passers-by are caught. Each species, in this way, possesses a primary architectural model which is followed as a whole, in spite of altered conditions. The animal knows its trade thoroughly, but it does not know and will never know aught else, being incapable of originality.