The Wonders of Instinct: Chapters in the Psychology of Insects

by Jean-Henri Fabre

First of all, a word as to diet. A general scavenger, the Burying-beetle refuses nothing in the way of cadaveric putridity. All is good to his senses, feathered game or furry, provided that the burden do not exceed his strength. He exploits the batrachian or the reptile with no less animation, he accepts without hesitation extraordinary finds, probably unknown to his race, as witness a certain Gold-fish, a red Chinese Carp, whose body, placed in one of my cages, was instantly considered an excellent tit-bit and buried according to the rules. Nor is butcher's meat despised. A mutton-cutlet, a strip of beefsteak, in the right stage of maturity, disappeared beneath the soil, receiving the same attention as those which were lavished on the Mole or the Mouse. In short, the Necrophorus has no exclusive preferences; anything putrid he conveys underground.

The maintenance of his industry, therefore, presents no sort of difficulty. If one kind of game be lacking, some other—the first to hand—will very well replace it. Neither is there much trouble in establishing the site of his industry. A capacious dish-cover of wire gauze is sufficient, resting on an earthen pan filled to the brim with fresh, heaped sand. To obviate criminal attempts on the part of the Cats, whom the game would not fail to tempt, the cage is installed in a closed room with glazed windows, which in winter is the refuge of the plants and in summer an entomological laboratory.

Now to work. The Mole lies in the centre of the enclosure. The soil, easily shifted and homogeneous, realizes the best conditions for comfortable work. Four Necrophori, three males and a female, are there with the body. They remain invisible, hidden beneath the carcass, which from time to time seems to return to life, shaken from end to end by the backs of the workers. An observer not in the secret would be somewhat astonished to see the dead creature move. From time to time, one of the sextons, almost always a male, emerges and goes the rounds of the animal, which he explores, probing its velvet coat. He hurriedly returns, appears again, once more investigates and creeps back under the corpse.

The tremors become more pronounced; the carcass oscillates, while a cushion of sand, pushed outward from below, grows up all about it. The Mole, by reason of his own weight and the efforts of the grave-diggers, who are labouring at their task beneath him, gradually sinks, for lack of support, into the undermined soil.

Presently the sand which has been pushed outward quivers under the thrust of the invisible miners, slips into the pit and covers the interred Mole. It is a clandestine burial. The body seems to disappear of itself, as though engulfed by a fluid medium. For a long time yet, until the depth is regarded as sufficient, the body will continue to descend.

It is, when all is taken into account, a very simple operation. As the diggers, underneath the corpse, deepen the cavity into which it sinks, tugged and shaken by the sextons, the grave, without their intervention, fills of itself by the mere downfall of the shaken soil. Useful shovels at the tips of their claws, powerful backs, capable of creating a little earthquake: the diggers need nothing more for the practice of their profession. Let us add—for this is an essential point—the art of continually jerking and shaking the body, so as to pack it into a lesser volume and cause it to pass when passage is obstructed. We shall presently see that this art plays a part of the greatest importance in the industry of the Necrophori.

Although he has disappeared, the Mole is still far from having reached his destination. Let us leave the undertakers to complete their task. What they are now doing below ground is a continuation of what they did on the surface and would teach us nothing new. We will wait for two or three days.

The moment has come. Let us inform ourselves of what is happening down there. Let us visit the retting-vat. I shall invite no one to be present at the exhumation. Of those about me, only little Paul has the courage to assist me.

The Mole is a Mole no longer, but a greenish horror, putrid, hairless, shrunk into a round, greasy mass. The thing must have undergone careful manipulation to be thus condensed into a small volume, like a fowl in the hands of the cook, and, above all, to be so completely deprived of its fur. Is this culinary procedure undertaken in respect of the larvae, which might be incommoded by the fur? Or is it just a casual result, a mere loss of hair due to putridity? I am not certain. But it is always the case that these exhumations, from first to last, have revealed the furry game furless and the feathered game featherless, except for the tail-feathers and the pinion-feathers of the wings. Reptiles and fish, on the other hand, retain their scales.

Let us return to the unrecognizable thing which was once a Mole. The tit-bit lies in a spacious crypt, with firm walls, a regular workshop, worthy of being the bake-house of a Copris-beetle. Except for the fur, which is lying in scattered flocks, it is intact. The grave-diggers have not eaten into it; it is the patrimony of the sons, not the provision of the parents, who, in order to sustain themselves, levy at most a few mouthfuls of the ooze of putrid humours.