Growing girls perceive at once that all this outside adornment is not enough unless they have charms of their own. They cannot make themselves beautiful, they are too young for coquetry, but they are not too young to acquire graceful gestures, a pleasing voice, a self-possessed manner, a light step, a graceful bearing, to choose whatever advantages are within their reach. The voice extends its range, it grows stronger and more resonant, the arms become plumper, the bearing more assured, and they perceive that it is easy to attract attention however dressed. Needlework and industry suffice no longer, fresh gifts are developing and their usefulness is already recognised.
I know that stern teachers would have us refuse to teach little girls to sing or dance, or to acquire any of the pleasing arts. This strikes me as absurd. Who should learn these arts—our boys? Are these to be the favourite accomplishments of men or women? Of neither, say they; profane songs are simply so many crimes, dancing is an invention of the Evil One; her tasks and her prayers we all the amusement a young girl should have. What strange amusements for a child of ten! I fear that these little saints who have been forced to spend their childhood in prayers to God will pass their youth in another fashion; when they are married they will try to make up for lost time. I think we must consider age as well as sex; a young girl should not live like her grandmother; she should be lively, merry, and eager; she should sing and dance to her heart’s content, and enjoy all the innocent pleasures of youth; the time will come, all too soon, when she must settle down and adopt a more serious tone.
But is this change in itself really necessary? Is it not merely another result of our own prejudices? By making good women the slaves of dismal duties, we have deprived marriage of its charm for men. Can we wonder that the gloomy silence they find at home drives them elsewhere, or inspires little desire to enter a state which offers so few attractions? Christianity, by exaggerating every duty, has made our duties impracticable and useless; by forbidding singing, dancing, and amusements of every kind, it renders women sulky, fault-finding, and intolerable at home. There is no religion which imposes such strict duties upon married life, and none in which such a sacred engagement is so often profaned. Such pains has been taken to prevent wives being amiable, that their husbands have become indifferent to them. This should not be, I grant you, but it will be, since husbands are but men. I would have an English maiden cultivate the talents which will delight her husband as zealously as the Circassian cultivates the accomplishments of an Eastern harem. Husbands, you say, care little for such accomplishments. So I should suppose, when they are employed, not for the husband, but to attract the young rakes who dishonour the home. But imagine a virtuous and charming wife, adorned with such accomplishments and devoting them to her husband’s amusement; will she not add to his happiness? When he leaves his office worn out with the day’s work, will she not prevent him seeking recreation elsewhere? Have we not all beheld happy families gathered together, each contributing to the general amusement? Are not the confidence and familiarity thus established, the innocence and the charm of the pleasures thus enjoyed, more than enough to make up for the more riotous pleasures of public entertainments?
Pleasant accomplishments have been made too formal an affair of rules and precepts, so that young people find them very tedious instead of a mere amusement or a merry game as they ought to be. Nothing can be more absurd than an elderly singing or dancing master frowning upon young people, whose one desire is to laugh, and adopting a more pedantic and magisterial manner in teaching his frivolous art than if he were teaching the catechism. Take the case of singing; does this art depend on reading music; cannot the voice be made true and flexible, can we not learn to sing with taste and even to play an accompaniment without knowing a note? Does the same kind of singing suit all voices alike? Is the same method adapted to every mind? You will never persuade me that the same attitudes, the same steps, the same movements, the same gestures, the same dances will suit a lively little brunette and a tall fair maiden with languishing eyes. So when I find a master giving the same lessons to all his pupils I say, “He has his own routine, but he knows nothing of his art!”
Should young girls have masters or mistresses? I cannot say; I wish they could dispense with both; I wish they could learn of their own accord what they are already so willing to learn. I wish there were fewer of these dressed-up old ballet masters promenading our streets. I fear our young people will get more harm from intercourse with such people than profit from their instruction, and that their jargon, their tone, their airs and graces, will instil a precocious taste for the frivolities which the teacher thinks so important, and to which the scholars are only too likely to devote themselves.
Where pleasure is the only end in view, any one may serve as teacher—father, mother, brother, sister, friend, governess, the girl’s mirror, and above all her own taste. Do not offer to teach, let her ask; do not make a task of what should be a reward, and in these studies above all remember that the wish to succeed is the first step. If formal instruction is required I leave it to you to choose between a master and a mistress. How can I tell whether a dancing master should take a young pupil by her soft white hand, make her lift her skirt and raise her eyes, open her arms and advance her throbbing bosom? but this I know, nothing on earth would induce me to be that master.
Taste is formed partly by industry and partly by talent, and by its means the mind is unconsciously opened to the idea of beauty of every kind, till at length it attains to those moral ideas which are so closely related to beauty. Perhaps this is one reason why ideas of propriety and modesty are acquired earlier by girls than by boys, for to suppose that this early feeling is due to the teaching of the governesses would show little knowledge of their style of teaching and of the natural development of the human mind. The art of speaking stands first among the pleasing arts; it alone can add fresh charms to those which have been blunted by habit. It is the mind which not only gives life to the body, but renews, so to speak, its youth; the flow of feelings and ideas give life and variety to the countenance, and the conversation to which it gives rise arouses and sustains attention, and fixes it continuously on one object. I suppose this is why little girls so soon learn to prattle prettily, and why men enjoy listening to them even before the child can understand them; they are watching for the first gleam of intelligence and sentiment.
Women have ready tongues; they talk earlier, more easily, and more pleasantly than men. They are also said to talk more; this may be true, but I am prepared to reckon it to their credit; eyes and mouth are equally busy and for the same cause. A man says what he knows, a woman says what will please; the one needs knowledge, the other taste; utility should be the man’s object; the woman speaks to give pleasure. There should be nothing in common but truth.
You should not check a girl’s prattle like a boy’s by the harsh question, “What is the use of that?” but by another question at least as difficult to answer, “What effect will that have?” At this early age when they know neither good nor evil, and are incapable of judging others, they should make this their rule and never say anything which is unpleasant to those about them; this rule is all the more difficult to apply because it must always be subordinated to our first rule, “Never tell a lie.”
I can see many other difficulties, but they belong to a later stage. For the present it is enough for your little girls to speak the truth without grossness, and as they are naturally averse to what is gross, education easily teaches them to avoid it. In social intercourse I observe that a man’s politeness is usually more helpful and a woman’s more caressing. This distinction is natural, not artificial. A man seeks to serve, a woman seeks to please. Hence a woman’s politeness is less insincere than ours, whatever we may think of her character; for she is only acting upon a fundamental instinct; but when a man professes to put my interests before his own, I detect the falsehood, however disguised. Hence it is easy for women to be polite, and easy to teach little girls politeness. The first lessons come by nature; art only supplements them and determines the conventional form which politeness shall take. The courtesy of woman to woman is another matter; their manner is so constrained, their attentions so chilly, they find each other so wearisome, that they take little pains to conceal the fact, and seem sincere even in their falsehood, since they take so little pains to conceal it. Still young girls do sometimes become sincerely attached to one another. At their age good spirits take the place of a good disposition, and they are so pleased with themselves that they are pleased with every one else. Moreover, it is certain that they kiss each other more affectionately and caress each other more gracefully in the presence of men, for they are proud to be able to arouse their envy without danger to themselves by the sight of favours which they know will arouse that envy.