But Daphne, hating his words of passionate love, sped on. And when his passion lent wings to his feet and she heard him gaining on her as she fled, not as a lover did Daphne look on deathless Apollo, but as a hateful foe. More swiftly than she had ever run beside her mistress Diana, leaving the flying winds behind her as she sped, ran Daphne now. But ever did Apollo gain upon her, and almost had he grasped her when she reached the green banks of the river of which her father, Peneus, was god.
“Help me, Peneus!” she cried. “Save me, oh my father, from him whose love I fear!”
As she spoke the arms of Apollo seized her, yet, even as his arms met around her waist, lissome and slight as a young willow, Daphne the nymph was Daphne the nymph no longer. Her fragrant hair, her soft white arms, her tender body all changed as the sun-god touched them. Her feet took root in the soft, damp earth by the river. Her arms sprouted into woody branches and green leaves. Her face vanished, and the bark of a big tree enclosed her snow-white body. Yet Apollo did not take away his embrace from her who had been his dear first love. He knew that her cry to Peneus her father had been answered, yet he said, “Since thou canst not be my bride, at least thou shalt be my tree; my hair, my lyre, my quiver shall have thee always, oh laurel tree of the Immortals!”
So do we still speak of laurels won, and worn by those of deathless fame, and still does the first love of Apollo crown the heads of those whose gifts have fitted them to dwell with the dwellers on Olympus.
“I espouse thee for my tree:
Be thou the prize of honour and renown;
The deathless poet, and the poem, crown;
Thou shalt the Roman festivals adorn,
And, after poets, be by victors worn.”
Ovid (Dryden’s translation).
PSYCHE
Those who read for the first time the story of Psyche must at once be struck by its kinship to the fairy tales of childhood. Here we have the three sisters, the two elder jealous and spiteful, the youngest beautiful and gentle and quite unable to defend herself against her sisters’ wicked arts. Here, too, is the mysterious bridegroom who is never seen and who is lost to his bride because of her lack of faith. Truly it is an old, old tale—older than all fairy tales—the story of love that is not strong enough to believe and to wait, and so to “win through” in the end—the story of seeds of suspicion sown by one full of malice in an innocent heart, and which bring to the hapless reaper a cruel harvest.