So at first it seemed that Evenos must conquer Idas and Marpessa in the winged chariot of Neptune’s lending. But onwards Idas drove the chariot, ever faster and faster, until before the eyes of Marpessa the trees of the forest grew into blurs of blue and brown, and the streams and rivers as they flew past them were streaks of silver. Not until he had reached the river Lycormas did the angry father own that his pursuit had been in vain. Over the swift-flowing stream flew the chariot driven by Idas, but Evenos knew that his horses, flecked with white foam, pumping each breath from hearts that were strained to breaking-point, no longer could go on with the chase. The passage of that deep stream would destroy them. The fierce water would sweep the wearied beasts down in its impelling current, and he with them. A shamed man would he be forever. Not for a moment did he hesitate, but drew his sharp sword from his belt and plunged it into the breast of one steed and then of the other who had been so willing and who yet had failed him in the end. And then, as they, still in their traces, neighed shrilly aloud, and then fell over and died where they lay, Evenos, with a great cry, leaped into the river. Over his head closed the eddies of the peat-brown water. Once only did he throw up his arms to ask the gods for mercy; then did his body drift down with the stream, and his soul hastened downwards to the Shades. And from that day the river Lycormas no more was known by that name, but was called the river Evenos forever.
Onwards, triumphantly, drove Idas, but soon he knew that a greater than Evenos had entered in the chase, and that the jealous sun-god’s chariot was in pursuit of the winged car of Neptune. Quickly it gained on him—soon it would have swept down on him—a hawk indeed, this time, striking surely its helpless prey—but even as Apollo saw the white face of Marpessa and knew that he was the victor, a mighty thunderbolt that made the mountains shake, and rolled its echoes through the lonely fastnesses of a thousand hills, was sent to earth by Jupiter. While the echoes still re-echoed, there came from Olympus the voice of Zeus himself.
“Let her decide!” he said.
Apollo, like a white flame blown backward by the wind, withheld his hands that would have seized from Idas the woman who was his heart’s desire.
And then he spoke, and while his burning gaze was fixed upon her, and his face, in beautiful fury, was more perfect than any exquisite picture of her dreams, his voice was as the voice of the sea as it calls to the shore in the moonlit hours, as the bird that sings in the darkness of a tropic night to its longing mate.
“Marpessa!” he cried, “Marpessa! wilt thou not come to me? No woe nor trouble, never any pain can touch me. Yet woe indeed was mine when first I saw thy fairest face. For even now dost thou hasten to sorrow, to darkness, to the dark-shadowed tomb. Thou art but mortal! thy beauty is short-lived. Thy love for mortal man shall quickly fade and die. Come to me, Marpessa, and my kisses on your lips shall make thee immortal! Together we shall bring the sunbeams to a cold, dark land! Together shall we coax the spring flowers from the still, dead earth! Together we shall bring to men the golden harvest, and deck the trees of autumn in our liveries of red and gold. I love thee, Marpessa—not as mere mortal loves do I love thee. Come to me, Marpessa—my Love—my Desire!”
When his voice was silent, it seemed as if the very earth itself with all its thousand echoes still breathed his words: “Marpessa—my Love—my Desire.”
Abashed before the god’s entreaties stood Idas. And the heart of Marpessa was torn as she heard the burning words of the beautiful Apollo still ringing through her head, and saw her mortal lover, silent, white-lipped, gazing first at the god and then into her own pale face. At length he spoke:
“After such argument what can I plead?
Or what pale promise make? Yet since it is
In woman to pity rather than to aspire,
A little I will speak. I love thee then
Not only for thy body packed with sweet
Of all this world, that cup of brimming June,
That jar of violet wine set in the air,
That palest rose sweet in the night of life;
Nor for that stirring bosom all besieged
By drowsing lovers, or thy perilous hair;
Nor for that face that might indeed provoke
Invasion of old cities; no, nor all
Thy freshness stealing on me like strange sleep.
Nor for this only do I love thee, but
Because Infinity upon thee broods;
And thou art full of whispers and of shadows.
Thou meanest what the sea has striven to say
So long, and yearned up the cliffs to tell;
Thou art what all the winds have uttered not,
What the still night suggesteth to the heart.
Thy voice is like to music heard ere birth,
Some spirit lute touched on a spirit sea;
Thy face remembered is from other worlds,
It has been died for, though I know not when,
It has been sung of, though I know not where.
It has the strangeness of the luring West,
And of sad sea-horizons; beside thee
I am aware of other times and lands,
Of birth far-back, of lives in many stars.
O beauty lone and like a candle clear
In this dark country of the world! Thou art
My woe, my early light, my music dying.”
Stephen Phillips.