Sister Catherine's notes do not mention the twelve stars surrounding the monogram of Mary and the two hearts. Yet they are always represented on the medal. It is morally certain that she communicated this detail, by word of mouth, at the time she related the apparitions.
Other notes in Sister Catherine's own hand-writing complete the account. She adds, that some of these precious stones did not emit rays, and when she expressed her astonishment at this, she was told that they were a figure of the graces we neglect to ask of Mary. On a hasty perusal, our Sister's account of the vision appears to differ from M. Aladel's. We were struck with this, and had to study these interesting and authentic documents attentively, in order to decide whether the visions differed essentially or were really the same.
SECOND APPARITION OF THE BLESSED VIRGIN
To Sister Catherine Labouré. Second picture.
(See the explanation at the list of engravings.)
According to M. Aladel's testimony in the investigation, the apparitions relative to the medal were always similar, and Sister Catherine, before her death, confirmed this assertion. As we have just learned from our Sister's own words, the Blessed Virgin always appeared with the terrestrial globe under her feet, and at the same time in her virginal hands, pressing it and warming it, as it were, against her maternal heart, and offering it to her Divine Son in her quality of Advocate and Mother, with an ineffable expression of supplication and love.
This is what the Sister saw. Was it all? No, after the first act of sublime intercession, after this most efficacious prayer of our divine Mediatrix, her hands are suddenly filled with graces, under the figure of rings and precious stones, which emit such brilliant rays that all else is invisible, Mary is enveloped in them, and her hands are bent beneath the weight of these treasures. Her eyes are cast upon the humble Sister whose ravished glances can scarcely support this celestial effulgence. At the same time, an oval frame is formed around the vision, and a voice directs the Sister to have a medal struck according to the medal presented. The medal is a faithful reproduction of this picture, at the moment the symbolical part disappears in the sheaves of light.
Sister Catherine being asked if she still saw the globe in the Blessed Virgin's hands, when the luminous sheaves issued from them, answered no, there remained nothing but the rays of light; and that when the Blessed Virgin spoke of the globe, she meant that under her feet, there being no longer any question of the first. Hence, we may conclude, that Sister Catherine's description of the apparition and M. Aladel's agree perfectly. The small globe which the Blessed Virgin holds in her hands, and the large one on which she stands, are both inundated with the same dazzling rays, or enriched with the same graces. The august Mary seems to indicate by the small globe merely a figure of the world, imperfectly represented beneath her feet, thus reminding us that she is the all merciful Queen of the human race.
There is yet another variation in the description of the two apparitions. M. Aladel, in conformity with the popular belief, that white and blue combined constitute the Blessed Virgin's livery, as emblems of purity, celestial purity, gives the mantle an azure tint. Sister Catherine expresses the same idea several times in her notes, saying: "White signifies innocence, and blue is the livery of Mary." However, the blue mantle is not mentioned in the notice of the apparition, Sister Catherine speaks only of the robe and veil of auroral light.
When questioned as to a more definite description of this color, she replied that it was a deep white, tinted with the mild, beautiful radiance of dawn,[9] thus wishing, no doubt, to give some idea of the celestial hue of the robe and veil. It is this hue that tortures the artist, for he feels his pencil powerless to depict the beauties of another sphere.