With benumbed nerves of vision, and with flakes of color swimming before him, he passed on slowly into the wood, as into a dark minster, and his heart swelled even to devotion....

—I will not assume that my reader has such a prosaic feeling in regard to morning as to deem this poetic one irreconcilable with Victor's character; nay, I venture to presume that his knowledge of human nature will find little trouble in discovering the key-note between two such distant tones in Victor as humor and sensibility. I will therefore commit myself unconcernedly to the happy contemplations of his feeling soul, and to my assurance of having all hearts in unison with mine.

The planet Venus and a grove show most beautifully in the morning and the evening; on both, at these hours, more rays of the sun fall than at any other. Hence our Victor felt, in the thicket, as if he went through the gate of a new life, as on this fiery morning he sauntered onward with the sun, which darted beside him from twig to twig, through the murmuring wood, away along under symphonious branches, which were so many music-barrels set in motion, over moss that lay in green sun-fire, and under evergreen bathed in heavenly blue. And this morning renewed in his heart the painful likeness of four things,—life, a day, a year, a journey, which resemble each other in their fresh, exultant beginning, in the oppressive interlude, in the weary, sated close.—

Outside in the copse, in the background of the woodland, Nature unrolled before him her altar-piece, miles long, with its chains of hills, with its dazzling country-houses, which had decked themselves with gardens as with festoons, and with the miniature-colors of the flowerets which played on the silver line of beauty traced by the brooks. And a cloud of enraptured, sporting, buzzing little creatures of silk-dust swept or hovered over the undulating picture.—What way should Victor take in the labyrinth of beauty?—All the sixty-four radii of the compass stretched themselves out as so many fingerposts, and he had sense enough not to propose to himself any particular hour of arriving. He therefore slipped off everywhere, to the right and to the left; he climbed over into every vale that hid itself behind a hill; he visited the pierced shadow-projection of every row of trees; he laid himself down at the feet of a more than commonly beautiful flower, and refreshed himself with pure love by its spirit, without breaking its body; he was the travelling-companion of the powdered butterfly, and observed his burying himself in his flower, and the hedge-sparrow he followed through the bushes to her brooding-cell and nursery; he let himself be spell-bound in the circle which a bee drew around him, and quietly suffered himself to be immured in the shaft of his own nosegay; he exercised upon every village which the motley landscape held up to him the right of way, and loved best to meet the children, whose days played even like his hours—

But men he avoided....

And yet there leaped from his heart a high fountain of love, which penetrated even to the remotest brother; and yet was he so entirely free from egotism, from that sensitive intolerance, which has its degree and source in common with the Moravian.—-The reason, however, was this: the first day of a journey was wholly different from the second, third, eightieth; for on the second, third, eightieth, he was prosaic, humoristic, social,—i. e. his heart adhered everywhere like hooked seed, and sent the roots of its happiness into every other being's lot. But on the first day came veiled spirits from all hours into his soul, who vanished if a third spoke,—a soft intoxication, which the atmosphere of nature, like that of a wine-store, communicated to him, spread itself, like an enchanted solitude, around his soul.... But why shall I depict the first day before I depict him?

In the first hours of the journey, he was to-day fresh, glad, happy, but not blissful; he drank as yet, only he was not drunken. But when he had thus for some hours wandered on, with drinking eye and absorbing heart, through pearl-strings of bedewed web-work, through humming vales, over singing hills, and when the violet-blue sky peacefully joined itself to the smoking heights and to the dark woods, rising like garden-walls behind each other,—when Nature opened all the pipes of the stream of life, and when all her fountains leaped up, and, flashing, played into each other, painted over by the sun,—then was Victor, who went through these flying streams with a rising and thirsty heart, lifted and softened by them; then did his heart swim, trembling like the sun's image in the infinite ocean, as the salient point of the wheel-animal[[110]] swims in the fluttering water-globule of the mountain stream.—

Then did flower, meadow, and grove dissolve into a dim immensity, and the color-grains of Nature melted away into a single broad flood, and over the glimmering flood stood the Infinite One as a sun, and in it, as a reflected sun, the human heart.—

All was one; all hearts grew to one greatest heart; a single life throbbed; the blooming pictures, the growing statues, the dusty clod of earth, and the infinite blue vault became the beholding face of an immeasurable soul.—

He might shut his eyes as much as he pleased, still there lingered in his dark breast this blooming immensity.