The fountain in the garden of termination,[[102]] which rears itself half-way down the declivity of the southern mountain and gleams away high over the mountain, already bore on its thin crystal column a shaft recast by the evening sun into a ruby, and this glittering, full-blowing rose contracted itself, like other flowers that had gone to sleep, to a red point,—and the hanging columns of gnats in the last beam seemed to say: To-morrow it will be fair again; go back; ah, you play longer in the sun than we.—
They went back; but when Victor saw the five high white columns at the western end of the beloved garden blink in the light of evening, his exalted heart felt a yearning and a burden, and he restrained it not from sighing: "Good Clotilda! ah, I should be glad indeed to see thee even to-day; my heart is full of tears of joy over this holy day, and I would fain pour it out before thee."—And when the whole park of the Abbey reared itself proudly beside the evening-heaven, and took possession of their hearts, then all at once said Emanuel,—who was always like himself even in his raptures,—"I will tell the Abbess this very day, so that Clotilda may lay up joy for to-morrow," and he separated from them.... Noble man! thou that in four weeks hopest to leave this flowery spring and mount to the stars above thee,—thou thinkest more of immortality than of death,—no threatening Orthodoxy, but the Indian love of flowers, hath trained thee, hence art thou so blessed; thou art free from wrath, like every dying man, free from greed and from anxiety; in thy soul, as at the Pole when every morning the sultry sun stays away, the moon of the second world never sets day nor night!—
Victor, alone, led the blind youth home, and both were silent and embraced each other with brotherly tears behind every screen, and asked each other neither for the reasons of the embrace nor of the tears. When they had passed through the still village, and as they came along by the park of the Abbey, Victor saw his Emanuel pass out of the last bower into the dazzling convent. It seemed to him as if every one therein already recognized him, as if he must hide himself. The garden of inspiration was to be in the valley only the flower-bed in a meadow, and not violently contrast itself with nature by sharp limits, but hang over into it softly as a dream into waking hours with blooming, embowered borders, and flow over into it with hop-gardens, with green thick-set hedges around corn-fields, and with sowed-over children's gardens. A large wide colonnade of chestnuts, set in silver by two brooks, opened broad and free toward the five ponds with their pierced work of blossoms. The northern mountain lifted itself up over against the park like a terrace, and seemingly continued the Eden over unseen valleys.
Victor avoided every opening window of the convent by means of the chestnut-trees under which he led his blind one, and behind which he could, unobserved, observe more nearly. On the shed-roof of the avenue woven of green roof-laths the evening lay like an autumn gleaming through with red streaks of splendor. He went, despite the danger of detection, to the very middle, where the avenue divides into two arms; but here he chose the right arm of the leafy hall, which bent away with him from the convent, as well as from a nightingale which, in the midst of the garden, sent out from a consecrated thorn-hedge her young and her tones. The arbor rendered to him by its softening distances from the bravura-airs of the feathered Prima Donna the services of a pedal and lute-stop;—gently was he led on by the windings which the gradual darkening and narrowing of the alley concealed, through the tones of the nightingale that floated after him, through the thinner trickling of the evening rays among the leaves between the two brooks, which now glided away inside of the chestnut-lane.—The brooks came closer together and left room only for love.—The portico closed in more coseyly.—The scattered flowers of the two banks crowded together and passed over into bushes.—The bushes grew up into a garden wall and touched each other at first in summits hanging towards each other, loose and transparent, and at last darkly knit together.—And the avenue and the arbor which had grown up under it blended their green together, so as to make with their coinciding blossom-veils only a single night.—Then in the green twilight was the arbor stopped up by a web of honeysuckle and nest of blossoms, but five ascending steps invited to the tearing asunder of the blooming curtain. And when one parted it, one sank into a blossom-cleft, into a narrow, tangled vault, as it were into a magnified flower-cup. In this Delphic cave of dreams the cushion was made of high grass, and the arms of the seat of blossoming-twigs, and the back of flowers massed together, and the air of the breath of dusting dwarf-fruit-trees. This flowery Holy of Holies was peopled only with bees and dreams, illuminated only with white blossoms; it had for evening-red only the purple of night-violets, for heaven's blue only the azure of elder-blossoms, and the blest one therein was lulled only by bees' wings and by the five mouths of the brooks meeting around him into the slumber in which the distant nightingale struck the harmonica- and evening-bells of dream....
—And as Victor to-day, beside the blind one, trod the five steps, and opened the blossom-woven tapestry door of the heaven: lo!—there—O man beatified this side of death!—reposed a female saint with weeping eyes, absorbed in Philomela's expiring plaints.... It was thou, Clotilda, and thou thoughtest of him with softened soul and heightened love,—and he on thee with reciprocal love! O when two loving ones meet each other in the selfsame emotion, then and not till then do they respect the human heart and its love and its bliss!—Hide not, Clotilda, with any blossoms the tears under which thy cheeks blush, because they should fall only before solitude! Tremble, but only for joy, as the sun trembles, when he comes out of a cloud on the horizon! Cast not down yet thy eye curtained with flowers, which for the first time falls so calmly opened and with such a stream of love on the man who deserves thy fair heart, and who rewards all thy virtues with his own!... Victor was struck with the lightning of joy and must needs remain immovable in the sweet smile of rapture, when the beloved rose behind the flower-clouds like the moon behind an Eden standing in full bloom, and in the womanly transfiguration of love resembled an angel dissolved into a prayer.
The blind youth knew nothing as yet of the third blessed one. She moved her hand, in sweet confusion, towards a too thin twig to raise herself from the deep grass-bench; it seemed to her lover, as if this hand reached to him out of the clouds of the second life a second heart, and he drew the hand to himself and sank with his mute, overflowing face down through the blossom on her throbbing veins. But hardly had Clotilda bade both a stammered welcome during the coming out from the green closet, when there appeared to them the angel—Emanuel, who had hastened from the convent to seek his friend. He said nothing, but looked on both with a nameless rapture, to find out whether they were right joyful, and as if to ask, "Are you not, then, now right happy, ye good souls? do you not, then, love each other inexpressibly?"—Oh, only a mortal is needed for sympathy in sorrow, but an angel for sympathy in joy; there is nothing more beautiful than the radiant Christ's head, on which the laying aside of the Moses' veil shows the still, glad interest in another's blameless joys, in another's pure love; and it is quite as godlike (or still more so) to contemplate the love of others with a mutely congratulating heart, as to have it one's self.... Emanuel, thy greater praise is kept in kindred souls, but not on paper!—
On the cross-way of the alley the fair society parted, and the left branch of the same led Clotilda along by the nightingale back to the abode of gentle hearts. Victor, dissolved by his heightened love for three human beings at once, arrived at the dusky apartments of Emanuel, lighted only by setting stars, and found there a spread table which the refined Abbess had sent to the guest or to the host, for Emanuel at evening ate only fruit. One wishes to share everything with one's love, even the kitchen. Emanuel after Easter never lighted a light. In the clar-obscure, made of the fusion of lunar silver and linden green, the blissful trefoil[[103]] bloomed under the evening star. Victor, by his professional pictures of the night-cold, put his invalid friend out of conceit with night-walks, and went alone with the blind one at this late hour out to the dormitory of hushed Nature.... Blessed is the evening which is the fore-court of a blessed day. The May-frost had cleansed the stars from the warm breath of the vapor, and deepened the blue of the celestial hemisphere, to make a beautiful night the earnest of a beautiful day. All was silent around the village, except the nightingale in the garden and the rustling May-chafers, those heralds of a bright day.—And when Victor went home with an upward sigh of thanks for these Whitsuntide hours, of which each handed the next the box of powdered sugar to sweeten the short moments of a still mortal; as he passed along before the muffled confession-hymns, which here a twelve-years-old little man who to-morrow was to take the sacrament, and there one by the side of his mother, sang; and when, finally, a vesper-hymn breathed out from the Abbey, and, swimming forth as it were on a single lute-tone, brought the fair day with a swan-song to its close, and when nothing more was left of the soft day except its resonance in the heart of the happy one and in the evening song of the convent, and its reflection in the fleeting evening-red of heaven, and in the contented and still smiling face of the sleeping Emanuel;—then did the mute joys in Victor's face look like prayers, the undisturbed tears like overrunning drops from the cup of gladness, his stillness like a good deed, and his whole heart like the warm tear of joy shed by a higher genius.
Victor led the beloved blind one softly to his place of slumber, where dream restored his disordered eyes and arrayed the little landscapes, of his childhood, with morning hues, more brightly around him.—He then laid himself down without undressing himself, opposite to the moon which hung low above the horizon, and sank to sleep on the building-ground of our fairer air-castles, on the sounding-board of childhood, where morning-dreams lead consecrated man out of the wilderness of day to the mount of Moses, and let him look over into the dark, promised land of Eternity....
The first Whitsuntide day, dear reader, in this tri-clang of rapture, has died away; but in these three high festivals of joy, as with those in the almanac, the second is still fairer, and the third the fairest of all. I shall not at all hurry with the movement of my pen through these three heavens,—nay, if I could certainly know that the acting persons in this history would never get to see my work, I should shift the boundaries of this Eden, by adding much that, on nearer inspection, would not prove historically true.—
