Meanwhile it must never be concealed, that the Captain in this second chapter strengthened his resolution of really marrying the good and so tender Rabette. "Thou knowest," he said to himself, "what upon the whole there is in and about women, one or two deficiencies, more or less, make little difference; thy man-like folly of requiring her, as they do hired animals, to be warranted without fault, may surely be regarded as gone by, friend."
Now he set himself down to dip into the ink for his third chapter, wherein he merely sported. His lip-omnipotence over the listening heart refreshed him to such a degree, that he made frequent experiments to see whether she could not laugh herself almost to death. Women in love, by reason of weakness and fire, take the laughter-plant most easily; they hold the comic heroic-poet still more as their hero, and prove therewith the innocence of their laughing at him. But Roquairol loved her less when she laughed.
In his fourth chapter,—or sector, or Dog-Post-day, or letter-box,[[27]] or in whatever other way I have (ludicrously enough) made my divisions, instead of using the Cycle,—in his fourth Jubilee, I say, it went, so to speak, harder with him. Rabette grew at last sated and sick of his eternally jumping off and opening the pot of the lachrymal glands that hung between the wheels, to grease his mourning-coach. Deep emotion was every day made more disagreeable and bitter to him; he must be ever giving longer and more vivid tragedies. Then he began to perceive that the tongue of the country maiden is not the very greatest landscape-painter, soul-portrayer, and silhouettiste, and that she hardly knew how to say much more to him than, "Thou, my heart!" He made, on that account, in the fourth chapter, rarer visits; that again helped him considerably, but only for a short time. Fortunately, the half-mile from Pestitz to Blumenbühl counted in with Rabette's lines and rays of beauty; in the city, in the same street, or in fact under the same roof, he would have remained too cold from very nearness.
The most natural consequence of such a chapter is the fifth, or the chapter of alternations, which still blows up some flames by the ever-swifter interchange of reproaches and reconciliations, so that the two, as electrical bodies do little ones, alternately attract and repel each other. Sometimes he drank nothing, and merely treated her harshly. Sometimes he took his glass, and said to her: "I am the devil, thou the angel." The greatest offence to his love his father gave, by the approbation which, most unexpectedly, he bestowed upon it. It was to the Captain exactly as if he should realize the silver-wedding if he ever solemnized the golden one. In the service of the goddess of love one more easily grows bald than gray; he was already morally bald toward the silver-bride. Fortunately, a short time before the illumination Sunday in Lilar,[[28]] he carried all sins of omission and commission so far, that on Sunday he was in a condition to curse them; only after scolding and sinning could he with comparative ease love and pray, as the grovelling spring-scarabee snaps up only when turned over on his back. It has probably slipped, or at least escaped, the memory of few readers, among the events of that Sunday, that Roquairol sat in the morning with Rabette in the flute-dell, that Rabette sang there in a depressed and lonesome mood, and how he, dissolved thereby, encountered his friend glorified by love. The dell affair is natural; after so long coolness (not coldness) on this breezy, free Otaheite-day, with all that he had in his hands (another's hand—and a flask) beside that heart of hers, as warm and yet as tranquil as the sun in the heavens,—and then the solitary orphan flute which he made play its call,—and with his most hearty wish to profit somewhat by such a day and sky,—under these circumstances he found himself actually compelled to draw upon his genuine emotions, to give himself vent on the subject of his past life (he resembled the old languages, which, according to Herder, have many Preterites and no Present),—yes, even on the subject of his death (also a fragment of the past),—and then as on a heavenly way to move forward. Of course he went not far; he let his blood of St. Januarius, namely, his eyes, become fluid again, (his own blood having previously become so,) and then demanded of the enraptured soul, whirled about in the fairest heaven nothing less than—since she was mute before the pocket-handkerchief thrown to her as the canary-bird is under the one thrown over him,—a faint singing. Rabette could not sing; she said so, she declined, at last she sang; but during the empty singing she thought of nothing save him and his wild, wet face.
The most miserable chapter of all, which he brought out in his Romance, may well be the sixth, which he wrote down on the night of the illumination in Lilar. In the beginning he had left Rabette to stand alone a mute, inglorious[[29]] spectator, while he ran, jumping up behind the car of Venus full of strange goddesses. Gradually one pleasure after another crept along toward him and gave him the Tarantula bite, which was followed by a sick raving. As moderation is a true strengthening medicine of life, so did he uncommonly seldom resort to this powerful medicine, in order not to be obliged to use it in stronger and stronger doses, and he did not accustom himself to it at all. At last, when he was full, forms appeared in him as in Chinese porcelain;[[30]] he stepped sympathizingly and lovingly to Rabette, and fancied, as she did, that he was tender or affectionate towards her, when he merely was so towards all.
He would fain draw her away from the hostile array of eyes, to seek from her the kiss to which interdiction and privation lent honey again; but she refused, because there, where the eye stops, suspicion begins, when he unfortunately caught sight of the blind girl from Blumenbühl, and could call her as a pretended guard of Rabette, in order to lead her out of the temptation among men to the temptation in the wilderness. Pressing her to him with such a passionate impetuosity of love as he had never showed before,—so that the poor soul who had been so forsaken and forlorn this evening wept over the return of all her joys,—and speaking to her like an angel, who acts like none, he involuntarily arrived with her at the silent Tartarus, where all was blind and dumb.
Rabette had not suffered the blind girl to leave her; but when they entered the catacomb-avenue, which holds only two persons, unless the third will creep along in the water, the eyeless maid was stationed at the gate, and so much the more, because he would not willingly let himself be checked by a superfluous listener. And besides, what then was there to fear in the very raree-show of the grave?
Within there he spoke about the everywhere stretched-out index-finger of death,—how "it indicated that life, stupid as it is, should not be made by us more stupid, but joyous." He seated himself by her side, caressing her,—as the destroying angel sits invisible beside the blooming child that plays in the old masonry, and into whose tender hands he presses the black scorpion. It was the very spot where he had sat in that first covenant-night, with Albano, opposite the skeleton with the Æolian-harp, when his friend swore to him his renunciation of Linda. His tongue streamed like his eye. He was tender, as, according to the popular superstition, corpses are tender which mourners die after. He threw fire-wreaths into Rabette's heart, but she had not, like him, streams of words to quench them withal. She could only sigh, only embrace; and men fall into sin most easily from weariness of good, but tedious hearts. More swiftly did laughter and weeping, death and drollery, love and wantonness, spring over into each other; moral poison makes the tongue as light as physical makes it heavy. Poor girl! the maidenly soul is a ripe rose, out of which, so soon as one leaf is plucked, all its mates easily fall after. His wild kisses broke out the first leaves; then others fell. In vain the good genius wafts holy tones from the harp of death, and sends up angry murmurs in the orcus-flood of the catacomb,—in vain! The darkest angel, who loves to torture, but rather innocent ones than the guilty, has already torn from heaven the star of love, to bear it as a murder-brand into the cavern. The poor, narrow little life-garden of the defenceless maid, wherein but little grows, stands over the long mine-passage which runs away under Roquairol's wide-extended pleasure-camp; and the darkest, angel has the lint-stock already lighted. With fiery greediness the spark-point eats its way onward; as yet her garden stands full of sunshine, and its flowers wave; the spark gnaws a little into the black powder. Suddenly it tears open a monstrous flame-throat; and the green garden reels, then flies, blown up, scattered to atoms, falls in black clods out of the air down upon far distant places; and the life of the poor maiden is all smoke and ruin.
But Roquairol's wide-spread and jointly rooted pleasure-parks withstood the earthquake much more vigorously. Both then came up out of the mine-passage sorrowfully, for the Captain had lost a little arbor in the explosion; but they found no more the blind girl, who, in her search for them, had lost herself. They encountered only the roving Albano, who himself was sorely wailing and raving, although he this evening had lost nothing but—pleasures.
Let us lead up the deluded maiden and her million companions with some words before a mild judge! This is not the only thing which that judge will weigh, that she, stupefied by the blossom-dust of a reeking spring season of joys, smothered into dumbness with the virgin's veil, prostrate before the storm of fancy (as women fall so much the more easily before another's fancy and a poetic one, the seldomer their own blows upon them, and accustoms them to standing firmly), suffered the reward of a whole virgin life to die; but this is what most strongly mitigates the sentence, that she bore love in her heart. Why, then, do not the male sex recognize that the loving female, in the hour of love, will really do nothing less than all for her beloved, that woman has all power for love, against which she has so little, and that she, with the same soul and at the same moment, would just as readily sacrifice her life as her virtue, and that only the demanding and taking party is bad, deliberately and selfishly?