This tall, red-headed, freckled mountain man says modestly that he always was a pretty good shot and that he kept in practice by hunting in the Tennessee mountains, shooting turkeys and going to shooting matches that required a pretty steady nerve to hit center of a criss-cross mark.
“I’m happiest here in the Valley of the Three Forks of the Wolf,” says the Singing Elder, “here in Fentress County just across the Kentucky state line, once the happy hunting ground of Creeks and Cherokees. Hit’s the place I love best with my family, my dogs and my gun. Hit’s where I belong.”
Looking backward, history shows that mountain men, such as Alvin York, have always led their countrymen in time of war, as I have pointed out earlier. In the Civil War the southern highlands sent 180,000 riflemen to the Union Army. In the Spanish-American War they rushed to the defense of our country. In the World War, Breathitt County, known for its fighting blood, had no draft quota, so many of her valiant sons hastened to volunteer. Though mountain people have suffered the stigma of family feuds, they have lived to see old rancors forgotten. Hatfields and McCoys, Martins and Tollivers shoulder their muskets and march side-by-side when they have to defend their native land.
The Big Sandy country is still filled with patriots. In Floyd County, the father of eleven sons is not worried about the draft, according to the Big Sandy News, November 15, 1940: “Frank Stamper, Prestonsburg Spanish-American War veteran, isn’t worried about the draft ‘catching’ any of his eleven boys, six of whom are of draft age. Five of the bra’ laddies already are infantrymen in the U. S. Army—enlisted men. The sixth, Harry, from whom the family has not heard in nine years, may also be in the army now, and not subject to conscription later. Two of his sons—Everett of Jackhorn, Kentucky, and Avery of Ronda, West Virginia, were in the World War as volunteers, and when you take in consideration that Mr. Stamper himself was a volunteer in the Spanish-American War, it makes the adult population of the family about unanimous in the matter of patriotism. The five sons in the army now are: Frank, Jr., Paul, Damon, John and Charles. Mr. Stamper is the father of twenty-seven children, seventeen of whom are living.”
When Singing Comes in, Fighting Goes Out
Mountain folk, especially those who have had the misfortune of being mixed in troubles (feuds to the outside world) believe earnestly that “when singing comes in, fighting goes out.” “Look at the Hatfields and McCoys,” they say. “They make music together now at the home of one side and now at the home of them on t’other side. They sit side-by-side on the bench at the Singing Gathering down on the Mayo Trail come the second Sunday in June every year. Off yonder nigh the mouth of Big Sandy, across the mountains which once were stained with the blood of both families. What’s more, Little Melissy Hatfield and Little Bud McCoy even sing together a ballad that tells of the love of Rosanna McCoy for Devil Anse’s son Jonse. And their elders sing hymn tunes long cherished in the mountain church, whilst tens of thousands gathered on the hills all around about listen with silent rejoicing over the peace that has come to the once sorry enemies.”
To be sure, there is the singing of folk songs handed down by word of mouth from generation to generation. When the mountain people are asked the origin of their music, the usual reply is “My grandsir larnt me this fiddle tune,” or “My Granny larnt me this song-ballet.”
Since mountain people have brought their music out of the coves and hollows for the world to hear through their Singing Gathering and Festivals, the nation is fast becoming aware of the importance of folk music in the life of Americans today. Great singers have taken up the simple songs of our fathers. “Wipe out foes of morale with music,” says Lucy Monroe, New York’s “Star Spangled Banner Soprano,” director of patriotic music for RCA-Victor, when she sang on September 11, 1941, before the National Federation of Music Clubs in New York. “Let’s make certain that when the present crisis is passed, music will have done its full job of defense,” she said enthusiastically. The singer urged federation members to become soldiers of music. “Let us enlist together to form a great army of music!” she urged. Miss Monroe was commissioned by Mayor LaGuardia to devote her efforts to the cause of music for the Office of Civilian Defense. Whereupon she outlined a four-point program: 1. To visit large plants and industrial centers connected with defense work to give musical programs and to suggest that the plants begin each day’s activities with playing the Star-spangled Banner—to tell the men what they are working for. 2. To conduct community sings in large cities. 3. To collect phonograph records for the boys in army camps, establishing central depots in every locality in the country. 4. To give talks, with song illustrations, on the history of the United States of America in colleges, high schools, women’s clubs, and music clubs.
Though some may see folk song, the basis of all music, endangered by motion pictures, Kurt Schindler, authority on ancient European customs and collector of folk music in other lands, believes the danger lies in another direction. “The young students, the modernists, in their great desire to keep up with the times wish to kill the old things.”