"I mean, if ye'll excuse me speakin' allegorical like, as she's the kind of a woman as needs a sharp bit and a steady hand on the bridle, an' when she bolts a touch o' the lash—not too much, for she wouldn't stand it, but enough to let her see who's master. I've known some women an' many horses, sir, an' I've noticed as the blooded ones is alike in both. If ye 'll excuse me mentionin' it, Miss Ethel was badly broke, sir. She was given the rein when she needed the whip, but for all that, she's a thoroughbred, sir, an' that's the main thing."

Peter imperceptibly slowed his horses.

"If ye don't mind, Mr. Harry, I'd like to tell ye a little story. It happened six or seven years ago when ye was away at college, and if Miss Ethel is a bit unreasonable now, she was more unreasonable then. It was when the old master first bought Blue Gypsy—as was a devil if there ever was one. One afternoon Miss Ethel takes it into her head she wants to try the new mare, so she orders her out, with me to follow. What does she do but make straight for the beach, sir, an' gallop along on the hard sand close to the water-line. It was an awful windy day late in October, with the clouds hangin' low an' the waves dashin' high, and everything sort o' empty an' lonesome. Blue Gypsy wasn't used to the water, an' she was so scared she was 'most crazy, rearin' an' plungin' till ye would a swore she had a dozen legs—not much of a horse for a lady, but Miss Ethel could ride all right. She kept Blue Gypsy's head to the wind an' galloped four or five miles up the beach, with me poundin' along behind, hangin' on to me hat for dear life.

"'Twas ebb-tide, but time for the flood, and I was beginning to think we'd better go back, unless we wanted to plough through the loose shingle high up, which is mighty hard on a horse, sir. But when we come to the Neck, Miss Ethel rode straight on; I didn't like the looks of it much, but I didn't say nothin' for the Neck's never under water an' there weren't no danger. But what does she do when we comes to the end o' the Neck, but turn to ride across the inlet to the mainland, which ye can do easy enough at low tide, but never at high. The sand was already gettin' oozy, an' with the wind blowin' off the sea the tide was risin' fast. Ye know what it would 'a' meant, sir, if she'd gone out an' got caught. An' what with that unknown devil of a Blue Gypsy she was ridin', there was no tellin' when it would happen.

"'Miss Ethel,' I calls, sort o' commandin' like, for I was too excited for politeness, 'ye can't go across.'

"She turns around an' stares at me haughty, an' goes on.

"I gallops up an' says: 'The tide's a risin', Miss Ethel, an' the inlet isn't safe.'

"She looks me over cool an' says: 'It is perfectly safe. I am goin' to ride across; if you are afraid, Peter, you may go home.'

"With that she whips up an' starts off. I was after her in a minute, gallopin' up beside her, an' before she knew what I was doin' I reaches out me hand an' grabs hold o' the bridle an' turns Blue Gypsy's head. I didn't like to do it, for it seemed awful familiar, but with people as contrary as they is, sir, ye've got to be familiar sometimes, if ye're goin' to do any good in the world.

"Well, Mr. Harry, as ye can believe, she didn't like it, an' she calls out sharp and imperative for me to let go. But I hangs on an' begins to gallop, an' with that she raises her crop an' cuts me over the hand as hard as she can. It hurt considerable, but I held on an' didn't say nothin', an' she raised her arm to strike again. But just at that moment a wave broke almost at the horses' feet, an' Blue Gypsy reared, an' Miss Ethel, who wasn't expectin' it, almost lost her balance an' the crop dropped on the sand.