‘Si, si, Tommaso is right. The Americano has already tempted heaven far enough in this matter of the wheat, and it will not be the part of wisdom for him to add to the account. Apoplexies are as likely to fall on princes as on bakers, and a dead prince is no different from any other dead man—only that he goes to purgatory.’
It was evident, however, that the foreigner was in truth going to tempt Fate; for in the afternoon two empty carriages came back from the villa and turned toward Palestrina, obviously bound for the station. All the ragazzi of Castel Vivalanti waited on the road to see them pass and beg for coppers; and it was just as Domenico had foretold: they never received a single soldo.
The remarks about the principe Americano were not complimentary in Castel Vivalanti that night; but the little yellow-haired principino was handled more gently. The black-haired little Italian boys told how he had laughed when they turned somersaults by the side of the carriage, and how he had cried when his father would not let him throw soldi; and the general opinion seemed to be that if he died young, he at least had a chance of paradise.
CHAPTER V
Meanwhile, the unconscious subjects of Castel Vivalanti’s ‘apoplexies’ were gaily installing themselves in their new, old dwelling. The happy hum of life had again invaded the house, and its walls once more echoed to the ring of a child’s laughter. They were very matter-of-fact people—these Americans, and they took possession of the ancestral home of the Vivalanti as if it were as much their right as a seaside cottage at Newport. Upstairs Granton and Marietta were unpacking trunks and hampers and laying Paris gowns in antique Roman clothes-chests; in the villa kitchen François was rattling copper pots and kettles, and anxiously trying to adapt his modern French ideas to a mediaeval Roman stove; while from every room in succession sounded the patter of Gerald’s feet and his delighted squeals over each new discovery.
For the past two weeks Roman workmen and Castel Vivalanti cleaning-women had been busily carrying out Mrs. Copley’s orders. The florid furniture and coloured chandeliers of the latter Vivalanti had been banished to the attic (or what answers to an attic in a Roman villa), while the faded damask of a former generation had been dusted and restored. Tapestries covered the walls and hung over the balustrade of the marble staircase. Dark rugs lay on the red tile floors; carved chests and antique chairs and tables of coloured marble, supported by gilded griffins, were scattered through the rooms. In the bedrooms the heavy draperies had been superseded by curtains of an airier texture, while wicker chairs and chintz-covered couches lent an un-Roman air of comfort to the rooms.
In spite of his humorous grumbling about the trials of moving-day, Mr. Copley found himself very comfortable as he lounged on the parapet toward sunset, smoking a pre-prandial cigarette, and watching the shadows as they fell over the Campagna. Gerald was already up to his elbows in the fountain, and the ilex grove was echoing his happy shrieks as he prattled in Italian to Marietta about a marvellous two-tailed lizard he had caught in a cranny of the stones. Copley smiled as he listened, for—Castel Vivalanti to the contrary—his little boy was very near his heart.
Marcia in the house had been gaily superintending the unpacking, and running back and forth between the rooms, as excited by her new surroundings as Gerald himself.
‘What time does Villa Vivalanti dine?’ she inquired while on a flying visit to her aunt’s room.