Melville, introducing the subject of a famous monastery lately suppressed by the government, gave rise to a discussion involving many and various opinions. The contessa and Dessart hotly defended the homeless monks; while the other men, from a political point of view, were inclined to applaud the action of the premier. Their arguments were strong, but the little contessa, two slender hands gesticulating excitedly, stanchly held her own; though a ‘White’ in politics, her sympathies, on occasion, stuck persistently to the other side. The church had owned the property for five centuries, the government for a quarter of a century. Which had the better right? And aside from the justice of the question—Dessart backed her up—for ascetic reasons alone, the monks should be allowed to stay. Who wished to have the beauties of frescoed chapels and carved choir-stalls pointed out by blue-uniformed government officials whose coats didn’t fit? It spoiled the poetry. Names of cardinals and prelates and Italian princes passed glibly; and the politicians finally retired beaten. Marcia, listening, thought approvingly that the young artist was a match for the diplomats, and she could not help but acknowledge further that whatever faults the contessa might possess, dullness was not among them.
It was Gerald, however, who furnished the chief diversion that afternoon. Upon being forbidden to take a third maritozzo, he rose reluctantly, shook the crumbs from his blouse, and drifted off toward the ilex grove to occupy himself with the collection of lizards which he kept in a box under a stone garden seat. The group about the tea-table was shortly startled by a splash and a scream, and they hastened with one accord to the scene of the disaster. Mr. Copley, arriving first, was in time to pluck his son from the fountain, like Achilles, by a heel.
‘What’s the matter, Howard?’ Mrs. Copley called as the others anxiously hurried up.
‘Nothing serious,’ he reassured her. ‘Gerald has merely been trying to identify himself with his environment.’
Gerald, dripping and sputtering, came out at this point with the astounding assertion that Marietta had pushed him in. Marietta chimed into the general confusion with a volley of Latin ejaculations. She push him in! Madonna mia, what a fib! Why should she do such a thing as that when it would only put her to the trouble of dressing him again? She had told him repeatedly not to fall into the fountain, but the moment her back was turned he disobeyed.
Amid a chorus of laughter and suggestions, of wails and protestations, the nurse, the boy, and his father and mother set out for the house to settle the question, leaving the guests at the scene of the tragedy. As they strolled back to the terrace the contessa very adroitly held Sybert on one side and Dessart on the other, while with a great deal of animation and gesture she recounted a diverting bit of Roman gossip. Melville and Marcia followed after, the latter with a speculative eye on the group in front, and an amused appreciation of the fact that the young artist would very much have preferred dropping behind. Possibly the contessa divined this too; in any case, she held him fast. The consul-general was discussing a criticism he had recently read of the American diplomatic service, and his opinion of the writer was vigorous. Melville’s views were likely to be both vigorously conceived and vigorously expressed.
‘In any case,’ he summed up his remarks, ‘America has no call to be ashamed of her representative to Italy. His Excellency is a fine example of the right man in the right place.’
‘And his Excellency’s nephew?’ she inquired, her eyes on the lounging figure in front of them.
‘Is an equally fine example of the right man in the wrong place.’
‘I thought you were one of the people who stood up for him.’