"Arras?" he repeated. "Arras is only a ruined town. Ypres is a rubbish dump. And its Cloth Hall is—a bad dream." And he turned away. Our Intelligence Officer led us over mounds of fallen masonry and débris of all sorts, and presently halted us amid a ruin of splintered columns, groined arch and massive walls, and pointed to a heap of rubbish he said was the altar.
"This is the church St. Jean," he explained, "begun, I think, in the eleventh or twelfth century and completed somewhere about 1320—"
"And," said N., "finally finished and completely done for by 'Kultur' in the twentieth century, otherwise I guess it would have lasted until the 220th century—look at the thickness of the walls."
"And after all these years of civilisation," said I.
"Civilisation," he snorted, turning over a fragment of exquisitely carved moulding with the toe of his muddy boot, "civilisation has done a whole lot, don't forget—changed the system of plumbing and taught us how to make high explosives and poison gas."
Gloomily enough we wandered on together over rubbish-piles and mountains of fallen brickwork, through shattered walls, past unlovely stumps of mason-work that had been stately tower or belfry once, beneath splintered arches that led but from one scene of ruin to another, and ever our gloom deepened, for it seemed that Ypres, the old Ypres, with all its monuments of mediæval splendour, its noble traditions of hard-won freedom, its beauty and glory, was passed away and gone for ever.
"I don't know how all this affects you," said N., his big chin jutted grimly, "but I hate it worse than a battlefield. Let's get on over to the Major's office."
We went by silent streets, empty except for a few soldierly figures in hard-worn khaki, desolate thoroughfares that led between piles and huge unsightly mounds of fallen masonry and shattered brickwork, fallen beams, broken rafters and twisted ironwork, across a desolate square shut in by the ruin of the great Cloth Hall and other once stately buildings, and so to a grim, battle-scarred edifice, its roof half blown away, its walls cracked and agape with ugly holes, its doorway reinforced by many sandbags cunningly disposed, through which we passed into the dingy office of the Town-Major.
As we stood in that gloomy chamber, dim-lighted by a solitary oil lamp, floor and walls shook and quivered to the concussion of a shell—not very near, it is true, but quite near enough.
The Major was a big man, with a dreamy eye, a gentle voice and a passion for archæology. In his company I climbed to the top of a high building, whence he pointed out, through a convenient shell hole, where the old walls had stood long ago, where Vauban's star-shaped bastions and the general conformation of what had been present-day Ypres; but I saw only a dusty chaos of shattered arch and tower and walls, with huge, unsightly mounds of rubble and brick—a rubbish dump in very truth. Therefore I turned to the quiet voiced Major and asked him of his experiences, whereupon he talked to me most interestingly and very learnedly of Roman tile, of mediæval rubble-work, of herringbone and Flemish bond. He assured me also that (Deo Volente) he proposed to write a monograph on the various epochs of this wonderful old town's history as depicted by its various styles of mason-work and construction.