"Music is, I take it, the expression of one's mood or thought, a dream translated into sound," said I thoughtfully, "therefore—"
"Hae ye ever heard the pipes?"
"Why, yes, but long ago."
"Then," said Donald, "ye shall juist hear 'em again." So saying, he wiped his mouth, took up his instrument, and began slowly inflating it.
Then, all at once, from drones and chanter there rushed forth such a flood of melody as seemed to sweep me away upon its tide.
First I seemed to hear a roar of wind through desolate glens, a moan of trees, and a rush of sounding waters; yet softly, softly there rises above the flood of sound a little rippling melody which comes, and goes, and comes again, growing ever sweeter with repetition. And now the roar of wind is changed to the swing of marching feet, the tread of a mighty host whose step is strong and free; and lo! they are singing, as they march, and the song is bold and wild, wild, wild. Again and again, beneath the song, beneath the rhythm of marching feet, the melody rises, very sweet but infinitely sad, like a silver pipe or an angel's voice tremulous with tears. Once again the theme changes, and it is battle, and death, sudden, and sharp; there is the rush and shock of charging ranks, and the surge and tumult of conflict, above whose thunder, loud and clear and shrill, like some battle-cry, the melody swells, one moment triumphant, and the next lost again.
But the thunder rolls away, distant and more distant—the day is lost, and won; but, sudden and clear, the melody rings out once more, fuller now, richer, and complete; the silver pipe has become a golden trumpet. And yet, what sorrow, what anguish unspeakable rings through it, the weeping and wailing of a nation! So the melody sinks slowly, to die away in one long-drawn, minor note, and Donald is looking across at me with his grave smile, and I will admit both his face and figure are sadly blurred.
"Donald," said I, after a little, "Donald, I will never speak against the pipes again; they are indeed the king of all instruments—played as you play them."
"Ou ay, I'm a bonnie piper, I'll no deny it!" he answered. "I'm glad ye like it, for, Sassenach though ye be, it proves ye hae the music. 'Tis a bit pibroch I made tae Wullie Wallace—him as the damned Sassenach murdered—black be their fa'. Aweel! 'twas done afore your time or mine—so—gude-nict tae ye, Southeron!" Saying which, he rose, saluted me stiffly, and stalked majestically to bed.