"Why, hello!" exclaimed Spike, reappearing with a cup and saucer, "still piping off Hermy's photo, Geoff?"
"I'm wondering why she looks so sad?"
"Sad?" repeated Spike, setting down the crockery with a rattle, "Hermy ain't sad; she always looks like that. Y' see, she ain't much on the giggle, Geoff, but she's most always singing, 'cept when her kids is sick or Mulligan calls—"
"What do you mean?"
"Oh, Hermy mothers all the kids around here when they're sick, an' lots o' kids is always getting sick. And when Mulligan comes it's rent day, an' sometimes Hermy's a bit shy on the money—"
"Is she?" said Mr. Ravenslee, frowning.
"You bet she is, Geoff! An' Mulligan's an Irishman an' mean—say, he's the meanest mutt you ever see. A Jew's mean, so's a Chink, but a mean Harp's got 'em both skinned 'way to 'Frisco an' back again! Why, Mulligan's that mean he wouldn't cough up a nickel to see the Statue o' Liberty do a Salomy dance in d' bay. So when the mazuma's shy Hermy worries some—"
"Don't you help her?" demanded Mr. Ravenslee.
"Help her—why, y' see, Geoff, I—I ain't in a steady job yet. But I do my best an'—why, there's d' kettle boilin' at last!" saying which, Spike turned and vanished again, leaving Mr. Ravenslee still staring down at the pictured face. Presently he sank back in his chair, and, lolling thus, looked sleepily at the opposite wall but saw it not, nor heard the clatter of cups and saucers from the kitchen accompanied by Spike's windy whistling; and, as he lounged thus, he spoke softly, and to himself.
"An object!" he murmured.