She added one more to the wriggling row, and seated herself calmly beside it, looking up for approval.
Uncle William glared at her for a minute. Then a sunny smile broke his face. “That’s all right, Juno.” He bent and stroked the impassive head. “I was prepared to mourn for ye, if need be, but not to rejoice—not to this extent. But it’s all right.” Juno purred in proud content.
XX
It was fortunate that the artist was better, for Uncle William became lost in the kittens and their welfare. The weakest thing at hand claimed his interest. He carried them in a clam-basket from point to point, seeing the best spots for their comfort and development. Juno marched at his side, proud and happy. She purred approval of the universe and the ways of man. Wherever Uncle William deposited the basket, she took up her abode, serenely pleased; and when, a few hours later, he shifted it on account of wind or rain or sun, she followed without demur. For her the sun rose and set in Uncle William’s round face and the depths of the clam-basket.
The artist watched the comedy with amused disapproval. He suspected Uncle William of trifling away the time. The spring was fairly upon them, and the Andrew Halloran still swung at anchor alone at the foot of the cliff. Whenever the artist broached the subject of a new boat, Uncle William turned it aside with a jest and trotted off to his clam-basket. The artist brooded in silence over his indebtedness and the scant chance of making it good. He got out canvas and brushes and began to paint, urged by a vague sense that it might bring in something, some time. When he saw that Uncle William was pleased, he kept on. The work took his mind off himself, and he grew strong and vigorous. Andy, coming upon him one day on the beach, looked at his brown face almost in disapproval. “You’re a-feelin’ putty well, ain’t you?” he said grudgingly.
“I am,” responded the artist. He mixed the color slowly on his palette. A new idea had come into his head. He turned it over once and then looked at Andy. The look was not altogether encouraging. But he brought it out quickly. “You’re a rich man, aren’t you, Andy?”
Andy, pleased and resentful, hitched the leg of his trousers. “I dunno’s I be,” he said slowly. “I’ve got money—some. But it takes a pile to live on.”
“Yes?” The artist stood away from his canvas, looking at it. “You and Uncle William are pretty good friends, aren’t you?”
“Good enough,” replied Andy. His mouth shut itself securely.