Acquaintances drop in. They have all the latest doings of the neighborhood at their fingers' ends, and in a quarter of an hour have picked everyone of their most intimate friends to pieces, nor do they leave them a shred of character.
Why do we feel such a relish in running down our friends and relations—the latter especially? I quite enjoy it, though I should never do so outside my own family; thus my words never come round to their ears. It is a necessity to relieve your feelings occasionally, and your family is a good, safe receptacle.
For those who have a taste for speaking spitefully of their neighbors, I can suggest an amusing game which was, I believe, started in Oxford. It is called Photograph whist, and is played by four. Two or three dozen photographs are dealt round, and each person plays one, he who plays the ugliest portrait taking the trick. The more hideous the photograph, the greater its value as a trump! I have played the game with a man who always keeps his brother to the end, and then brings him out with enormous success, the said brother never failing to overtrump any other card in the pack! So you see it is a most amiable game altogether. You must only be careful not to spread your doings abroad, or no one will present you with their portraits ever again.
There is no sin so bad as being found out. You can say anything as long as you are not discovered to be the originator. But if your words against a person ever happen to get round to him or her (of course added to, and made almost unrecognizable in their progress) you make an enemy for life. At least, this is so as a rule. Personally, I never care what people say against me, so long as it is not true. But if they only keep to the truth, then it is aggravating. You cannot deny it! You cannot "tremble with indignation, and fling the words back in their faces," as the slandered heroine always does in the modern novel. You must simply submit to the accusation.
A man I know was saying all round the place a little while ago, that my sisters and I "were all good looking until we opened our mouths." Of course we heard of it, and have never forgiven him for his "damning praise." But it is true. We always admit the fact. We know we show our teeth too much when we laugh and talk. It was impossible to disclaim such a statement. If he had said that we squinted, not a syllable would have been pronounced against him. Our eyes are all exceptionally good, and would bear any detrimental remarks. But no, he kept to the truth, and consequently has suffered ever since, for ways of revenge have been found which were thoroughly successful. He is the ugliest man I ever met too, and should therefore have been the last to offend.
In spite of the tea you are invariably given on such occasions, I think calls—formal calls—are some of the most dreadful experiences Mrs. Grundy obliges you to undergo. I dislike them immensely, and always get out of them if possible. I hope servants do not afterwards record the expression of my countenance when they tell me their mistress is "out." It is radiant with an unholy joy!
These dreadful "at home" days, too, are so provoking. If you know a dozen people in a neighborhood, you can only call on one at a time. They all have different days! This may seem slightly impossible; but it is not indeed. While one lady's house is open to visitors on the first and third Wednesdays in the month, another is on view on the second and fourth, and so on. Not two people agree!
Small talk, I think, is never so small as on these occasions. The poor weather is thorougly worn out, a few mutual friends are picked to pieces, and of course there is a discussion about dress. Sometimes you hear some sad account of the lady's second cousin's daughter, and you have immediately to clothe your countenance in a sober garb. You must look grieved, and all the while not caring one straw if the cousin's daughter has fits or gets insane, or anything else she cares to do. You have never heard of her before, and therefore have not the slightest interest in her eccentricities. I always feel so terribly inclined to laugh, just because I ought to be doing the other thing.
People are so fond of talking about their troubles and griefs. The greater the sorrow, the greater the discussion. They call up tears to their eyes, as if the subject were too sacred to approach. But such tears are kept for the purpose. They come at their bidding, and fall as naturally into their place as if the exhibition had been practiced beforehand. It is a positive enjoyment to such people to detail their grievances.
With the lower classes, this, so to speak, gloating over your losses is even more apparent. One comparatively well-to-do woman I know, seems to have a monopoly of funerals. There is always some relation dead, and off she goes with an important air, draped from head to foot in black; the picture of "loathed melancholy" outwardly; inwardly, glowing with pride; while all her neighbors stand outside their doors, literally consumed with jealousy at her good fortune! And then the terrible moment of her return, when you are obliged, whether you will or not, to listen to the whole account, the description, the progress, and finally the interment of "the corpse"! I hope, however dead I may be one day, that I shall never be described as "a corpse"! There is something so horrible in the word, I always think. It makes you even more dead than you are. It cuts you so absolutely off from the living.