From the most ancient times, and almost since the period that war was first waged, certain ensigns were undoubtedly known and used, around which the warriors rallied in battle. This had its origin, indeed, in necessity, in order that, in the tumult of battle, the combatants might always be able to discern where their fellow-warriors were; and such a rallying point was particularly of the greatest importance when an army was thrown into disorder, or began to fly. To this it may be added, that the commander, or the principal leaders, were generally near the ensign; which thus became a signal where the battle was usually hottest, and a point to rally round in order to protect the chief when in danger.
But these ensigns, which doubtless were originally boughs of trees or other simple things easy to be recognised at a distance, obtained by degrees a religious importance, and must thus have still more excited the courage of the combatants. For ensigns those figurative images were principally chosen under which men were accustomed to represent to themselves their principal gods, or to which a peculiar religious faith was attached. In the course of time these ensigns were adopted by whole tribes as national ones. The eagle, Jupiter’s sacred bird, served the Romans for a warlike ensign, and animated the legions on their distant and universally-celebrated expeditions. With them, however, it did not flutter in a banner, but was cast in metal and fixed on the end of a staff. The national ensign used by at least a great part of the Gallic tribes in the south of France about the time of the birth of Christ, was of a similar kind. According to a few still-existing representations of it on monuments, it presented the image of a hog, fastened, like the Roman eagle, at the end of a staff. Among the Gauls the hog was a sacred animal, whence it is afterwards found frequently represented on the old Gallic coins.
Among the German and Scandinavian races, on the contrary, we cannot point with certainty to any such early national ensigns. These people, as it is well known, formed, for several centuries after the birth of Christ, a number of petty and independent kingdoms, which were, besides, often divided amongst several powerful chiefs. It was customary for every chief to have a peculiar sign, often an animal, delineated on his shield; and which was likewise represented on the banner that he carried with him into battle. This banner, or mark, was generally borne before him in the combat by his “marksman;” and at sea it waved on the prow of his ship. It was not, like that of the Romans and Gauls, of cast metal, but of variegated cloth.
It was not till the time that the Danes and Norwegians began to invade the countries of the west, and to make great conquests there, and consequently not till the ninth century, that we find the oldest traces of the Danes, or rather perhaps the Danish-Norwegian Vikings, having fought under one flag; which was not, like the earlier ones, that of a single chief, but rather an established national ensign. We must remember that they were heathens, making war upon a Christian land, and fighting for Odin and Thor against White[[5]] Christ. Regardless of their former contests in the north itself, the Vikings were now united on these foreign shores by the ties of mutual interest and a common religion; and nothing, therefore, was more natural than that the ensign which conducted them in battle should be consecrated to Odin, or, as he was called, the father of victory, in whose presence they expected at some time to assemble and enjoy the delights of Valhalla. The eagle had been consecrated to Jupiter by the Romans; among the Northmen the raven was Odin’s (or, the Father-of-all’s) sacred bird. One of Odin’s names was therefore “Ravne-gud” (raven-god). The ravens Hugin and Munin sat on his shoulders, and only flew away to bring him intelligence of what happened in the world. The ancient Northmen had consequently an especial confidence in the omens of Odin’s bird. When the Viking Floke Vilgerdesön set out from Norway to discover Iceland, he consecrated at a sacrifice three ravens, which he wished to take with him, to show him the way. He was therefore called Ravnefloke. The Northmen, also, made prognostications from the scream and from the flight of the raven; and the warriors, in particular, regarded it as a good omen if a raven followed them as they marched to battle.
[5]. An epithet applied by the Northmen to our Saviour.
As Jupiter’s eagle had been the war sign of the Romans so was Odin’s raven the chief mark of the Danes in the heathen ages. An old chronicler (Emma’s Encomiast) relates, that in the time of peace no image whatever was seen in the flag, or mark, of the Danes; but in time of war there waved a raven in it, from whose movements the Danes took auguries of victory or defeat. If it fluttered its wings, Odin gave them a sign of conquest; but if the wings hung slackly down, victory would surely desert them. From the few historical accounts that remain to us of this raven’s mark we are not, however, justified in believing that it was so long or so generally adopted among the Danes as the eagle was among the Romans. We find it expressly mentioned only during the Danish conquests in the British Islands; yet, remarkably enough, at such different times and under such peculiar circumstances, that we may with good reason assert that the raven’s mark was really a common flag of battle and conquest for the Danes and Norwegians.
It is mentioned for the first time in the year 898, consequently nearly a thousand years ago; that is to say, about the time of the banner-coins before described, and especially of that coin of Anlaf, or Olaf, on which is seen the bird with extended wings. At that time, it is said, the Danish chiefs suffered a great defeat in South England, in which they lost their war-ensign, or banner (Anglo-Saxon, guð-fana), which they called “the raven” (Anglo-Saxon, ræfen v. hrefn. v. hræfen). Another account adds, that these chiefs were sons of Regner Lodbrog, and that the flag, or mark, was cunningly woven by Regner’s daughters. The raven borne upon it was thought to forbode either victory or defeat.
This ensign is again spoken of a century later, in the time of Canute the Great. It is mentioned in the great battle of Clontarf, in Ireland (1014), when Sigurd, the Norwegian Jarl of Orkney, bore a raven-standard against the Irish. Two years afterwards, in the sanguinary battle at Ashingdon in Essex (1016), which partly decided Canute’s conquest of England, the Danish army had begun to give way; when the jarl, Thorkel the Tall, shouted to the warriors, as he pointed to the flag, that the raven fluttered its wings, and predicted a glorious victory. The Danes took fresh courage, and victory crowned their efforts. The mighty Danish jarl Sivard, or Sigurd, surnamed “Digre” (the stout) (+ 1055), who ruled the earldom of Northumberland somewhat after Canute’s time, and after the Danish dominion in England had ceased, also bore a raven ensign, which was called “Ravenlandeye,” or the raven that desolates the land. (“Corvus terræ terror.”) There seems to have been many legends among the people, both as to the manner in which Sigurd procured this ensign, and as to its supernatural power.
After the time of Canute the Great and Sigurd Digre, there is scarcely any coin to be found bearing the image of the raven; but fortunately there is a representation of another kind, belonging to the eleventh century, which in no slight degree proves that raven-ensigns were actually borne by the successors of the Danes and Norwegians in the west of Europe until about the year 1100.
It is known that Scandinavian Vikings, and particularly Normans and Danes, conquered the French province afterwards called from the Northmen (Normænd) Normandy; and that the successors of Rollo, or Rolf (Ralph), continued to govern that land as dukes. From Normandy, Duke William, surnamed the Conqueror, passed over in 1066 into England, which he conquered by the battle of Hastings. The whole expedition, together with this battle, is represented in the old and extremely remarkable piece of tapestry, preserved in the cathedral of Bayeux, in Normandy, and said to have been worked by William the Conqueror’s own consort, Matilda; at all events it was made shortly after the conquest of England. There can, therefore, be no question about the fidelity of the figures represented, at all events, as far as regards the Normans. It is here seen that the Norman chiefs, after the old Scandinavian fashion, had each his ensign or banner of party-coloured cloth cut out into tongues or points, and fastened to the pole of a lance. But where William is represented on the Bayeux tapestry advancing to the battle of Hastings, the chief banner is borne by a mounted knight clad in chain armour, who rides before another knight, likewise clothed in armour, and having on his lance an ensign or flag with five tongues or points, and with a cross in it.