The traveller cannot but dwell, when in Kirkwall, on the remembrance of the departed splendour of the island, as he views the proud ruins of the jarls’ castle, which, however, in its last form was not built till the fifteenth century, and of the bishops’ castle, in which King Hakon Hakonsön of Norway died on the 16th of December, 1263. But what is still more striking to him who has leisure to examine it thoroughly, is the magnificent Church of St. Magnus, incontestably the most glorious monument of the time of the Norwegian dominion to be found in Scotland. Only one other cathedral church in all Scotland, namely, St. Mungo’s, in Glasgow, has in its most essential parts escaped perfectly uninjured from the violent religious commotions produced by the Reformation. The annexed sketch (partly after a drawing by Billings) will, at least, better serve to convey an idea of the remarkable appearance of this cathedral than any detailed description. Its length is 230 feet, its breadth 55 feet, or, if the transepts be included in the measurement, 101 feet, and its height about 50 feet. The arched vaults of the nave rest on 28 pillars, of which the four, in particular, that bear the tower are distinguished by their size and tasteful forms.
According to the Orkneyinga Saga, Jarl Ragnvald, by the advice of his father Kol, made a vow to St. Magnus that he would build a splendid church in his honour, if he (Ragnvald) succeeded in gaining the mastery over the islands. He obtained the dominion of them in the year 1137, and immediately afterwards began to lay the foundation of St. Magnus’ Church. “At first,” says the Saga, “the work went on so rapidly that subsequently there was not done near so much in four or five years. Kol was the person who, in fact, defrayed the expenses of the building, and determined how everything was to be. But by degrees, as the work proceeded, the expenses became burthensome to the jarl, whose pecuniary means were much exhausted. He therefore asked his father what he should do? Kol advised him to alter the law by which, upon the death of the owners, the jarls had hitherto succeeded to all the allodial land in the islands, so that the heirs had to redeem it, which they found very hard. The jarl, therefore, summoned the inhabitants to a Thing, and offered to sell them their right of Udal, so that they should no longer be obliged to redeem it. The matter was easily arranged on both sides. The jarl obtained a mark for every acre throughout the islands, so that there came in money enough for the building of the church, which is very handsome.”
[[++]] St. Magnus’ Church
History, however, as well as the building itself, teaches us that the whole church, as it now stands, was by no means the work of Kol and Ragnvald. For, first, it is known that the pillars farthest towards the east and west, marked in the annexed ground plan with the faintest shade, belong to additions made at a far later period (viz., as late as the sixteenth century); and secondly, it is not even decided whether Kol and Ragnvald built the whole of the remaining part of the church, the transepts included, or whether they built only that part of the present choir which, from the two eastern pillars of the tower, comprises the six nearest pillars to the east, marked on the ground plan with the darkest shade. Between this last-named portion of the choir, which is undoubtedly the oldest part of the church, and the portion lying to the west, whose pillars on the ground plan have a rather lighter shade, there is a perceptible difference of style.
That zealous and skilful archæologist, Sir Henry Dryden, Bart., of Canons Ashby, to whom I am indebted for the original of the following ground plan, likewise did me the favour to give me, among several large drawings, a very excellent, but here very reduced, section of that part of the choir which is certainly known to have been built by Kol and Ragnvald. The section is taken from the middle of the nave, and represents a part of the northern side walls nearest to one of the pillars of the tower. It enables us to form an idea of the very considerable size of the church, and of the importance of Kol’s and Ragnvald’s labours, as well as readily to perceive in what style the church was originally built. This style, which in England is called the Norman, was indeed already somewhat obsolete in more southern districts at the time when St. Magnus’ Church was built; but it was quite natural that, so far northwards, it should be retained somewhat longer, especially as the architect was a native of the still more northern country of Norway.
[[++]] St. Magnus’ Church - Floorplan
[[++]] St. Magnus’ Church - Interior