And tells me I'm too poor to wed.”
Being directly opposite the pillow, it greeted me each morning when I opened my eyes. It was applicable to my own case also, and had a depressing effect upon me.
I had tried short stories, essays, satires. One—but one only—a sad thing about a maiden who had given her life for love and been turned into a water-fall, and over the writing of which I had nearly broken my heart, had been accepted by a paper called The Lamp. It died soon afterwards. The others, with appalling monotony, had been returned to me again and again: sometimes with the Editor's compliments and thanks, and sometimes without: sometimes returned with indecent haste, seemingly by the next post; sometimes kept for months—in a dustbin, judging from appearances. My heart would turn to lead whenever the dismal little slavey would knock at the door and enter with them. If she smiled as she handed me the packet, her thumb and finger covered with her apron so as not to soil it, I fancied she was jeering at me. If she looked sad, as more often she did, poor little overworked slut, I thought she was pitying me. I shunned the postman when I saw him in the street, feeling sure he knew my shame. I wonder if the smart journalists who make fun in the comic papers of the rejected contributor have ever been themselves through that torture-chamber.
By luck, my favorite poet, just then, was Longfellow. It has become the fashion to belittle him. Perhaps all his verse does not reach the level of, say, “The Building of the Ship.” But even Wordsworth nods. To youth, face to face with giants, he will long remain a helpful voice. Some two years before, on a sudden impulse, I had written him a long rigmarole of a letter, pouring out my troubles to him, addressing it simply to Henry Wadsworth Longfellow, America; and had received an answer proving to me that he understood my case exactly and knew all about me. Always when things were at their worst, or nearly so, I would go to him for comfort; and one evening, crouching over my small fire, I struck the poem beginning:
“By his evening fire the artist
Pondered o'er his secret shame;”
I had the feeling that Longfellow must have been thinking about me. And when I read the last two lines:
“That is best which lieth nearest;
Shape from that thy work of art,”
it came to me that Longfellow was telling me not to bother about other people's troubles—those of imaginary maidens turned into waterfalls, and such like—but to write about my own. I would tell the world the story of a hero called Jerome who had run away and gone upon the stage; and of all the strange and moving things that had happened to him there. I started on it that same evening, and in three months it was finished. I hunted up an old actor named Johnson—the oldest actor on the boards, he boasted himself; and he certainly looked it. He had played with Edmund Kean, Macready, Phelps and Booth, not to mention myself. We had been at Astley's together, during the run of “Mazeppa.” It had fallen to our lot, in the third act, to unbind Lisa Weber from the exhausted steed, and carry her across the stage. I took her head and old Johnson her heels. She was what Mr. Mantalini would have called a demmed fine woman, weighing, I should think, some fourteen stone; and during the journey she would pour out blood-curdling threats as to what she would do to both or either of us if we dropped her. Old Johnson lost his temper one night: “Oh, come on, young 'un,” he called out to me in a loud whisper, “let's chuck her into the orchestra.” He began to heave his end. She kept quiet after that. He was now with Wilson Barrett at the old Princess's. I used to wait for him at the stage door, and we would adjourn to a little tavern in Oxford Market. It really was a market in those days, with wooden booths all round, and stalls in the centre; where now stands Oxford Mansions. He would look over my MS. to see that I had made no blunders; and the anecdotes and stories that he told me would have made a rattling good book of themselves. I meant to write it. But he died before we had completed it.