I went as I was, in a blue serge suit, brown boots, and a collar that I had been wearing since eight o'clock in the morning. I made a sensation in the ballroom. I gathered that the people round about took me for a policeman in unnecessarily plain clothes; but I spotted Alice Crawford, and beckoned her outside. A gentleman came up and asked if he could be of any use. I take it the idea of bail was in his mind.

We produced the play at Harrowgate. The audience there mistook it for a farce. It was by the author of “Three Men in a Boat,” so they had been told. That evening the Robertsons and myself partook of a melancholy supper. It was Blackpool that saved the play. Forbes wired me—

“It's all right. Blackpool understands it and loves it.”

In London, on the first night, the curtain fell to dead silence which lasted so long that everybody thought the play must be a failure, and my wife began to cry. And then suddenly the cheering came, and my wife dried her eyes.

I was not present myself. I have shirked my own first nights ever since a play of mine that Willard produced at the Garrick. I thought the applause was unanimous, but was received with a burst of booing. The argument is that if an author is willing to be applauded, he must not object to being hissed. It may be logic, but it isn't sense: as well say that because a man does not mind being patted on the back, he ought not to object to being kicked. I remember the first night of one of Jones's plays. There was a difference of opinion and Jones very properly did not appear. In the street, I overheard some critics from the gallery talking:

“Why didn't he come out,” said one, “and take his punishment like a man?”

W. T. Stead used to gather interesting people round him, on Sunday afternoons, at his house in Smith Square. Soon after the production of “The Passing of the Third Floor Back” I received an invitation from him to discuss “The Gospel according to St. Jerome.” Another time, we discussed the chief motive power governing human affairs, and decided that it was hate: hatred of nation for nation, religious hatred, race hatred, political hatred. Just then the suffrage movement was in full swing, and sex hatred had been added to the list. Stead lived and died a convinced Spiritualist, in spite of the fact that his spirit friends once let him down badly. They urged him to start a daily newspaper and assured him of success. It was a grim failure, but he forgave them.

Forbes-Robertson was doubtful about taking the play to America. It was his sister-in-law, Maxine Elliott, who insisted. It was at her theatre in New York that he opened.

Matheson Lang took it East. In China, a most respectable Mandarin came round to see him afterwards and thanked him.

“Had I been intending to do this night an evil deed,” he said, “I could not have done it. I should have had to put it off, until to-morrow.”