I remember a well-known artist one evening telling us with much sense of humour how he had just completed the sale of an old Spanish cabinet to two distinct and separate purchasers.
“I sold it first,” recounted the little gentleman with glee, “to old Jong, the dealer. He has been worrying me about it for the last three months, and on Saturday afternoon, hearing that I was clearing out and going abroad, he came round again. 'Well, I am not sure I am in a position to sell it,' I told him. 'Who'll know?' he asked. 'They are not in, are they?' 'Not yet,' I answered, 'but I expect they will be some time on Monday.' 'Tell your man to open the door to me at eight o'clock on Monday morning,' he replied, 'we'll have it away without any fuss. There needn't be any receipt. I'm lending you a hundred pounds, in cash.' I worked him up to a hundred and twenty, and he paid me. Upon my word, I should never have thought of it, if he hadn't put the idea into my head. But turning round at the door: 'You won't go and sell it to some one else,' he suggested, 'between now and Monday?' It serves him right for his damned impertinence. 'Send and take it away to-day if you are at all nervous,' I told him. He looked at the thing, it is about twelve feet high altogether. 'I would if I could get a cart,' he muttered. Then an idea struck him. 'Does the top come off?' 'See for yourself,' I answered; 'it's your cabinet, not mine.' I was feeling rather annoyed with him. He examined it. 'That's all right,' he said; 'merely a couple of screws. I'll take the top with me now on my cab.' He got a man in, and they took the upper cupboard away, leaving me the bottom. Two hours later old Sir George called to see me about his wife's portrait. The first thing he set eyes on was the remains of the cabinet: he had always admired it. 'Hallo,' he asked, 'are you breaking up the studio literally? What have you done with the other half?' 'I've sent it round to Jong's—' He didn't give me time to finish. 'Save Jong's commission and sell it to me direct,' he said. 'We won't argue about the price and I'll pay you in cash.'”
“Well, if Providence comes forward and insists on taking charge of a man, it is hardly good manners to flout her. Besides, his wife's portrait is worth twice as much as he is paying for it. He handed me over the money in notes. 'Things not going quite smoothly with you just at the moment?' he asked me. 'Oh, about the same as usual,' I told him. 'You won't be offended at my taking it away with me this evening?' he asked. 'Not in the least,' I answered; 'you'll get it on the top of a four-wheeled cab.' We called in a couple of men, and I helped them down with it, and confoundedly heavy it was. 'I shall send round to Jong's for the other half on Monday morning,' he said, speaking with his head through the cab window, 'and explain it to him.' 'Do,' I answered; 'he'll understand.'”
“I'm sorry I'm going away so early in the morning,” concluded the little gentleman. “I'd give back Jong ten per cent. of his money to see his face when he enters the studio.”
Everybody laughed; but after the little gentleman was gone, the subject cropped up again.
“If I wake sufficiently early,” remarked one, “I shall find an excuse to look in myself at eight o'clock. Jong's face will certainly be worth seeing.”
“Rather rough both on him and Sir George,” observed another.
“Oh, he hasn't really done anything of the kind,” chimed in old Deleglise in his rich, sweet voice. “He made that all up. It's just his fun; he's full of humour.”
“I am inclined to think that would be his idea of a joke,” asserted the first speaker.
Old Deleglise would not hear of it; but a week or two later I noticed an addition to old Deleglise's studio furniture in the shape of a handsome old carved cabinet twelve feet high.