“You must come and see them,” the Human Document insisted. “Such dear, magnetic creatures. I superintend their entire education myself. We have a cottage in Surrey. It’s rather a tight fit. You see, there are seven of us now. But the three girls can easily turn in together for a night, Abner will be delighted.”
“Abner is your second?” suggested Miss Tolley.
“My third,” the Human Document corrected her. “After Eustace, I married Ivanoff. I say ‘married’ because I regard it as the holiest form of marriage. He had to return to his own country. There was a political movement on foot. He felt it his duty to go. I want you particularly to meet the boy. He will interest you.”
Miss Tolley appeared to be getting muddled. “Whose boy?” she demanded.
“Ivanoff’s,” explained the Human Document. “He was our only child.”
Flossie appeared, towing a white-haired, distinguished-looking man, a Mr. Folk. She introduced him and immediately disappeared. Joan wished she had been left alone a little longer. She would like to have heard more. Especially was she curious concerning Abner, the lady’s third. Would the higher moral law compel him, likewise, to leave the poor lady saddled with another couple of children? Or would she, on this occasion, get in—or rather, get off, first? Her own fancy was to back Abner. She did catch just one sentence before Miss Tolley, having obtained more food for reflection than perhaps she wanted, signalled to her secretary that the note-book might be closed.
“Woman’s right to follow the dictates of her own heart, uncontrolled by any law,” the Human Document was insisting: “That is one of the first things we must fight for.”
Mr. Folk was a well-known artist. He lived in Paris. “You are wonderfully like your mother,” he told Joan. “In appearance, I mean,” he added. “I knew her when she was Miss Caxton. I acted with her in America.”
Joan made a swift effort to hide her surprise. She had never heard of her mother having been upon the stage.
“I did not know that you had been an actor,” she answered.