John Ingerfield, and Other Stories

by Jerome K. Jerome

He turns, half expecting to see only the empty air and to wonder at the delirium in his brain. She puts her hand in his, and their eyes meet; and in that moment, for the first time in their lives, these two see one another.

They speak no word. There is no opportunity for words. There is work to be done, and done quickly, and Anne grasps it with the greed of a woman long hungry for the joy of doing. As John watches her moving swiftly and quietly through the bewildered throng, questioning, comforting, gently compelling, the thought comes to him, Ought he to allow her to be here, risking her life for his people? followed by the thought, How is he going to prevent it? For in this hour the knowledge is born within him that Anne is not his property; that he and she are fellow hands taking their orders from the same Master; that though it be well for them to work together and help each other, they must not hinder one another.

As yet John does not understand all this. The idea is new and strange to him. He feels as the child in a fairy story on suddenly discovering that the trees and flowers he has passed by carelessly a thousand times can think and talk. Once he whispers to her of the labour and the danger, but she answers simply, “They are my people too, John: it is my work”; and he lets her have her way.

Anne has a true woman’s instinct for nursing, and her strong sense stands her in stead of experience. A glance into one or two of the squalid dens where these people live tells her that if her patients are to be saved they must be nursed away from their own homes; and she determines to convert the large counting-house—a long, lofty room at the opposite end of the wharf to the refinery—into a temporary hospital. Selecting some seven or eight of the most reliable women to assist her, she proceeds to prepare it for its purpose. Ledgers might be volumes of poetry, bills of lading mere street ballads, for all the respect that is shown to them. The older clerks stand staring aghast, feeling that the end of all things is surely at hand, and that the universe is rushing down into space, until, their idleness being detected, they are themselves promptly impressed for the sacrilegious work, and made to assist in the demolition of their own temple.

Anne’s commands are spoken very sweetly, and are accompanied by the sweetest of smiles; but they are nevertheless commands, and somehow it does not occur to any one to disobey them. John—stern, masterful, authoritative John, who has never been approached with anything more dictatorial than a timid request since he left Merchant Taylors’ School nineteen years ago, who would have thought that something had suddenly gone wrong with the laws of Nature if he had been—finds himself hurrying along the street on his way to a druggist’s shop, slackens his pace an instant to ask himself why and wherefore he is doing so, recollects that he was told to do so and to make haste back, marvels who could have dared to tell him to do anything and to make haste back, remembers that it was Anne, is not quite sure what to think about it, but hurries on. He “makes haste back,” is praised for having been so quick, and feels pleased with himself; is sent off again in another direction, with instructions what to say when he gets there. He starts off (he is becoming used to being ordered about now). Halfway there great alarm seizes him, for on attempting to say over the message to himself, to be sure that he has it quite right, he discovers he has forgotten it. He pauses, nervous and excited; cogitates as to whether it will be safe for him to concoct a message of his own, weighs anxiously the chances—supposing that he does so—of being found out. Suddenly, to his intense surprise and relief, every word of what he was told to say comes back to him; and he hastens on, repeating it over and over to himself as he walks, lest it should escape him again.

And then a few hundred yards farther on there occurs one of the most extraordinary events that has ever happened in that street before or since: John Ingerfield laughs.

John Ingerfield, of Lavender Wharf, after walking two-thirds of Creek Lane, muttering to himself with his eyes on the ground, stops in the middle of the road and laughs; and one small boy, who tells the story to his dying day, sees him and hears him, and runs home at the top of his speed with the wonderful news, and is conscientiously slapped by his mother for telling lies.

All that day Anne works like a heroine, John helping her, and occasionally getting in the way. By night she has her little hospital prepared and three beds already up and occupied; and, all now done that can be done, she and John go upstairs to his old rooms above the counting-house.

John ushers her into them with some misgiving, for by contrast with the house at Bloomsbury they are poor and shabby. He places her in the arm-chair near the fire, begging her to rest quiet, and then assists his old housekeeper, whose wits, never of the strongest, have been scared by the day’s proceeding, to lay the meal.

Anne’s eyes follow him as he moves about the room. Perhaps here, where all the real part of his life has been passed, he is more his true self than amid the unfamiliar surroundings of fashion; perhaps this simpler frame shows him to greater advantage; but Anne wonders how it is she has never noticed before that he is a well-set, handsome man. Nor, indeed, is he so very old-looking. Is it a trick of the dim light, or what? He looks almost young. But why should he not look young, seeing he is only thirty-six, and at thirty-six a man is in his prime? Anne wonders why she has always thought of him as an elderly person.