“Theater Royal,” and setting forth that “——— ————, the World-Renowned Tragedian from Drury Lane,” would give his magnificent impersonations of Richard III. and The Idiot Witness that night, and begging the inhabitants, for their own sakes, to “come early.” I found the whole company assembled on the stage, and looking as dismal as the town itself. They all had colds in the head, including the manager, “the World-Renowned Tragedian from Drury Lane,” who had the face-ache into the bargain.

After a rough and ready rehearsal of the tragedy, melodrama, and burlesque to be played that evening (I had had all my parts sent me by post before joining), I started off by myself to look for lodgings, as I had come to the conclusion that my own society would, on the whole, be less depressing than that of any gentleman in the company.

Lodging hunting is by no means the most pleasant business connected with touring. It always means an hour or two’s wandering up and down back streets, squinting up at windows, knocking at doors, and waiting about on doorsteps. You are under the impression, all the while that the entire street is watching you, and that it has put you down as either a begging letter impostor, or else as the water-rate man, and despises you accordingly. You never find the place that suits you until you have been everywhere else. If you could only begin at the end and work backwards, the search would be over at once. But, somehow or other, you can never manage to do this, and you have always to go through the same routine. First of all, there are the places that ask about twice as much as you are prepared to give, and at which you promise to call again when you have seen your friend. Then there are the places that are just taken, or just going to be taken, or just not to be taken. There are the places where you can have half a bed with another gentleman, the other gentleman generally being the billiard-marker at the hotel opposite, or some journeyman photographer. There are the people who won’t take you because you are not a married couple, and the people who won’t take you because you are a play-actor, and the people who want you to be out all day, and the people who want you to be in by ten. Added to these, there is the slatternly woman, who comes to the door, followed by a mob of dirty children, that cling to her skirts and regard you with silent horror, evidently thinking that the “big ugly man,” so often threatened, has really come this time. Or the fool of a husband, who scratches his head and says you had better call again, when his “missus” is in. Or, most aggravating of all, the woman who stands on the step, after you have gone, and watches you down the street, so that you don’t like to knock anywhere else.

All this I was prepared for when I started, but no such ordeal was in store for me. The difficulty of selecting lodgings was got rid of altogether in the present case by there simply being no lodgings of any kind to be let. It had evidently never occurred to the inhabitants of this delightful spot that any human being could possibly desire to lodge there, and I don’t wonder at it. There were a couple of inns in the High Street, but country actors cannot afford inns, however moderate, and of “Furnished Apartments” or “Bed Rooms for Single Gentlemen” there were none. I explored every street in the town without coming across a single bill, and then, as a last resource, I went into a baker’s shop to inquire. I don’t know why bakers should be better acquainted than any other tradesmen with the private affairs of their neighbors, but that they are has always been my impression, or, at least, had been up till then, when it received a rude blow. I asked two bakers, and both of them shook their heads, and knew of no one who let lodgings. I was in despair, and the High Street, when I glanced up and saw a very pleasant face smiling at me from the door of a milliner’s shop. Somehow, the sight of it inspired me with hope. I smiled back, and—

“Could the owner of the pleasant face recommend me to any lodgings?”

The owner of the pleasant face looked surprised. “Was Monsieur going to stop in the town?” On Monsieur explaining that he was an actor, Madame was delighted, and smiled more pleasantly than ever. “Madame did so love the theater. Had not been to one for, Oh! so long time; not since she did leave Regent Street—the Regent Street that was in our London. Did Monsieur know London? Had been to heaps and heaps of theaters then. And at Paris! Ah! Paris! Ah, the theaters at Paris! Ah! But there was nothing to go to here. It was so quiet, so stupid, this town. We English, we did seem so dull. Monsieur, son mari, he did not mind it. He had been born here. He did love the sleepiness—the what we did call the monotony. But Madame, she did love the gayety. This place was, oh, so sad.”

Here Madame clasped her hands—pretty little hands they were, too—and looked so piteous, that Monsieur felt, strongly inclined to take her in his arms and comfort her. He, however, on second thoughts, restrained his generous impulse.

Madame then stated her intention to go to the theater that very evening, and requested to know what was to be played.

On Monsieur informing her that “————, the World-Renowned Tragedian from Drury Lane, would give his magnificent impersonations of Richard III. and The Idiot Witness,” she seemed greatly impressed, and hoped it was a comedy. Madame loved comedies. “To laugh at all the fun—to be made merry—that was so good.” Monsieur thought that Madame would have plenty to laugh at in the magnificent impersonations of Richard III. and The Idiot Witness, even if she found the burlesque a little heavy, but he didn’t say so.

Then Madame remembered Monsieur was looking for lodgings. Madame put the tip of her forefinger in her mouth, puckered her brows, and looked serious. “Yes, there was Miss Kemp, she had sometimes taken a lodger. But Miss Kemp was so strict, so particular. She did want every one to be so good. Was Monsieur good?” This with a doubting smile.