My persevering efforts of the last few months towards the acquisition of convivial habits appeared this evening to be receiving their reward. The O'Kelly's sweet champagne I had drunk with less dislike than hitherto; a white, syrupy sort of stuff, out of a fat and artistic-looking bottle, I had found distinctly grateful to the palate. Dimly the quotation about taking things at the flood, and so getting on quickly, floated through my brain, coupled with another one about fortune favouring the bold. It had seemed to me a good occasion to try for the second time in my life a full flavoured cigar. I had selected with the caution of a connoisseur one of mottled green complexion from the O'Kelly's largest box. And so far all had gone well. An easy self-confidence, delightful by reason of its novelty, had replaced my customary shyness; a sense of lightness—of positive airiness, emanating from myself, pervaded all things. Tossing off another glass of the champagne, I rose to reply.
Modesty in my present mood would have been affectation. To such dear and well-beloved friends I had no hesitation in admitting the truth, that I was a clever fellow—a damned clever fellow. I knew it, they knew it, in a short time everybody would know it. But they need not fear that in the hour of my pride, when it arrived, I should prove ungrateful. Never should I forget their kindness to me, a lonely young man, alone in a lonely—Here the pathos of my own situation overcame me; words seemed weak. “Jarman—” I meant, putting my hand upon his head, to have blessed him for his goodness to me; but he being not exactly where he looked to be, I just missed him, and sat down on the edge of my chair, which was a hard one. I had not intended this to be the end of my speech, by a long one; but Jarman, whispering to me: “Ended at exactly the right moment; shows the born orator,” strong inclination to remain seated, now that I was down seconding his counsel, and the company being clearly satisfied, I decided to leave things where they were.
A delightful dreaminess was stealing over me. Everything and everybody appeared to be a long way off, but, whether because of this or in spite of it, exceedingly attractive. Never had I noticed the Signora so bewitching; in a motherly sort of way even the third floor front was good to look upon; Mrs. Peedles I could almost have believed to be the real Flora MacDonald sitting in front of me. But the vision of Miss Rosina Sellars made literally my head to swim. Never before had I dared to cast upon female loveliness the satisfying gaze with which I now boldly regarded her every movement. Evidently she noticed it, for she turned away her eyes. I had heard that exceptionally strong-minded people merely by concentrating their will could make other, ordinary people, do just whatever they, the exceptionally strong-minded people, wished. I willed that Miss Rosina Sellars should turn her eyes again towards me. Victory crowned my efforts. Evidently I was one of these exceptionally strong-minded persons. Slowly her eyes came round and met mine with a smile—a helpless, pathetic smile that said, so I read it: “You know no woman can resist you: be merciful!”
Inflamed by the brutal lust of conquest, I suppose I must have willed still further, for the next thing I remember is sitting with Miss Sellars on the sofa, holding her hand, the while the O'Kelly sang a sentimental ballad, only one line of which comes back to me: “For the angels must have told him, and he knows I love him now,” much stress upon the “now.” The others had their backs towards us. Miss Sellars, with a look that pierced my heart, dropped her somewhat large head upon my shoulder, leaving, as I observed the next day, a patch of powder on my coat.
Miss Sellars observed that one of the saddest things in the world was unrequited love.
I replied gallantly, “Whateryou know about it?”
“Ah, you men, you men,” murmured Miss Sellars; “you're all alike.”
This suggested a personal aspersion on my character. “Not allus,” I murmured.
“You don't know what love is,” said Miss Sellars. “You're not old enough.”
The O'Kelly had passed on to Sullivan's “Sweethearts,” then in its first popularity.