Rummaging through this same dusty book-case, I found in one of the ill-fitting drawers, beneath a heap of torn and tumbled books, a diary belonging to the fifties, stuffed with many letters and shapeless flowers, pressed between stained pages; and there—for the writer of stories, tempted by human documents, is weak—in faded ink, brown and withered like the flowers, I read the story I already knew.
Such a very old story it was, and so conventional. He was an artist—was ever story of this type written where the hero was not an artist? They had been children together, loving each other without knowing it till one day it was revealed to them. Here is the entry:—
“May 18th.—I do not know what to say, or how to begin. Chris loves me. I have been praying to God to make me worthy of him, and dancing round the room in my bare feet for fear of waking them below. He kissed my hands and clasped them round his neck, saying they were beautiful as the hands of a goddess, and he knelt and kissed them again. I am holding them before me and kissing them myself. I am glad they are so beautiful. O God, why are you so good to me? Help me to be a true wife to him. Help me that I may never give him an instant’s pain! Oh, that I had more power of loving, that I might love him better,”—and thus foolish thoughts for many pages, but foolish thoughts of the kind that has kept this worn old world, hanging for so many ages in space, from turning sour.
Later, in February, there is another entry that carries on the story:—
“Chris left this morning. He put a little packet into my hands at the last moment, saying it was the most precious thing he possessed, and that when I looked at it I was to think of him who loved it. Of course I guessed what it was, but I did not open it till I was alone in my room. It is the picture of myself that he has been so secret about, but oh, so beautiful. I wonder if I am really as beautiful as this. But I wish he had not made me look so sad. I am kissing the little lips. I love them, because he loved to kiss them. Oh, sweetheart! it will be long before you kiss them again. Of course it was right for him to go, and I am glad he has been able to manage it. He could not study properly in this quiet country place, and now he will be able to go to Paris and Rome and he will be great. Even the stupid people here see how clever he is. But, oh, it will be so long before I see him again, my love! my king!”
With each letter that comes from him, similar foolish rhapsodies are written down, but these letters of his, I gather, as I turn the pages, grow after a while colder and fewer, and a chill fear that dare not be penned creeps in among the words.
“March 12th. Six weeks and no letter from Chris, and, oh dear! I am so hungry for one, for the last I have almost kissed to pieces. I suppose he will write more often when he gets to London. He is working hard, I know, and it is selfish of me to expect him to write more often, but I would sit up all night for a week rather than miss writing to him. I suppose men are not like that. O God, help me, help me, whatever happens! How foolish I am to-night! He was always careless. I will punish him for it when he comes back, but not very much.”
Truly enough a conventional story.
Letters do come from him after that, but apparently they are less and less satisfactory, for the diary grows angry and bitter, and the faded writing is blotted at times with tears. Then towards the end of another year there comes this entry, written in a hand of strange neatness and precision:—
“It is all over now. I am glad it is finished. I have written to him, giving him up. I have told him I have ceased to care for him, and that it is better we should both be free. It is best that way. He would have had to ask me to release him, and that would have given him pain. He was always gentle. Now he will be able to marry her with an easy conscience, and he need never know what I have suffered. She is more fitted for him than I am. I hope he will be happy. I think I have done the right thing.”