When it is once agreed that any considerable portions of the plays credited to Shakespeare are from different authors, almost the entire force of the argument resting on report or tradition is destroyed; because report or tradition is about equally satisfied and equally antagonized by ascribing to him the authorship of either section into which the admission of dual authorship concedes that they are divided.
That Shakespeare must have had a genius for dramatic work,—though not necessarily for poetry,—his success as a reputed dramatist and as a manager, all his history and traditions, very clearly indicate. And conceding him that, why is not the situation fully satisfied by considering that he was the lesser, or one of the lesser, rather than the greater of the collaborators; and that his knowledge of the stage and his talent for conceiving proper dramatic effects or situations, made his labors valuable to the greater poet, aiding him to give to his works a dramatic form and movement which many other great poets have entirely failed to attain. So considering, the Shakespearean plays will in some degree still seem to us the work of the gentle Shakespeare, although in large part the product of the older and more mature mind, the dreaming and loving recluse and student, who could say,—
Your name from hence immortal life shall have,
Though I, once gone, to all the world must die:
The earth can yield me but a common grave,
When you entombed in men's eyes shall lie.
And so believing, may we not still go with reverent feet to that grave upon the Avon? For there, as I conceive, sleeps he whose sunny graces won the undying love of the greatest of lovers and of poets, and whose assistance and support made possible the dreaming hours and days in which were delivered from his loving friend's overburdened brain the marvellous and matchless creations of the Shakespearean anthology.
Footnotes:
[[33]] Sonnets LXXVIII., LXXIX., LXXX., LXXXV., LXXXVI.
[[34]] Sonnets XCV. and XCVI.
[[35]] Lee's Shakespeare, pp. 377-380.
[[36]] Lee's Shakespeare, p. 406.
[[37]] It was not until 1596 or 1599 that a coat of arms was granted to John Shakespeare, the father of William. That appears to have been granted on the application of the son, and to have been allowed, in part at least, because his wife, the mother of William, was the daughter of Robert Arden, gentleman. The grant gave the father the title of Esquire and not of Gentleman. Lee's Shakespeare, pp. 187-190.