Fig. 299—Open fret; attachment displaced
Fig. 300—Simple rectangular design
Possibly the least complex form of rectangular ornamentation, next to a simple bar or square, is the combination shown in [figure 298], a type in which many changes are made in interior as well as in exterior decorations of Pueblo ware. One of these is shown in [figure 299], where the figure about the vessel is continuous. An analysis of the elements in [figure 300] shows squares united at their angles, like the last, but that in addition to parallel bands connecting adjacent figures there are two marginal lines uniting the series. Each of the inner parallel lines is bound to a marginal on the opposite side by a band at right angles to it. The marginal lines are unbroken through the length of the figure. Like the last, this motive also may be regarded as developed from a single line.
Fig. 301—Rectangular reversed S-form