c. Will prepare us to deal more sanely and surely with the involved problems of conduct.
II. Art in the Novel:
a. Completeness in the story:
1. Exclusion of unimportant and irrelevant matter.
α. The “story-teller” in us all.
β. The distractions of real life, with its far-relatedness.
γ. The “outside” event in melodrama too like life.
2. Exclusion of author’s one-sided moral verdict.
3. Must not be “for” some characters, and “against” others.
b. Understanding of Life in novel: